Loading...
HomeMy WebLinkAbout2002-02-05 Support Documentation Town Council Work SessionVAIL TOWN COUNCIL WORK SESSION Tuesday, February 5, 2002 3:00 P.M. NOTE: Times of items are approximate, subject to change, and cannot be relied upon to determine at what time Council will consider an item. 1. Dale Harpe - 10 year anniversary Florian (Joe) Busch, Jr. - 15 year anniversary Mike Vaughan - 20 year anniversary 2. Acknowledgement of Holiday Tree Decorators. (5 min.) Ludwig Kurz BACKGROUND RATIONALE: There has been much said this year about the extraordinary job the Public Works Department did in readying the town for the holidays. In recognizing this outstanding performance and achievement, what follows are some notes of interest in re: to the town's lighting efforts: BIG TREE IN THE CENTER OF THE ROUNDABOUT - 500 strings total - Strings are 32' long and have 100 lights/string - 32' x 500 = 16,000' divided by 1 mile (or 5280') = 3.03 miles of lights - 100 x 500 = 50,000 total lights THE REST OF THE TREES AROUND THE BIG TREE - 1,500 strings total - Strings are 32' long and have 100 lights/string - 32' x 1,.500 = 48,000' divided by 1 mile (5280') = 9.09 miles - 100 x 1,500 = 150,000 total lights TOTAL FOR THE MAIN VAIL ROUNDABOUT 2,000 strings 64,000' and/or 12.12 miles 200,000 mini lights 3. ITEM/TOPIC: NWCCOG and Rural Resorts. '(30 min.) Sybill Navas Gary Severson 4. ITEM/TOPIC: Investment Report. (15 min.) Christine Stouder 5. ITEM/TOPIC Bravo! Vail Valley Music Festival Presentation. (15 min.) John Giovando BACKGROUND RATIONALE: To support for a three period - 2003, 2004, and 2005. - a municipal corporate partnership between Bravo! Vail Valley Music Festival and the Town of Vail to present the New York Philharmonic Residency at the Gerald R. Ford Vilar Pavilion, $100,000 per year is requested. Supporting materials are in the Council packet and John Giovando will make a presentation at the work session. Should Council wish to proceed with this request, the item will be scheduled for the February 19th evening meeting. 6. DRB/PEC Report (5 min.) 7. Information Update. (5 min.) 8. Matters from Mayor and Council. (5 min.) 9. Executive Session -Property Acquisition C.R.S. 24-6-402(4)(a). (30 min.) 10. Adjournment. (5:05 P.M.) NOTE UPCOMING MEETING START TIMES BELOW: (ALL TIMES ARE APPROXIMATE AND SUBJECT TO CHANGE) THE NEXT VAIL TOWN COUNCIL REGULAR WORK SESSION WILL BE ON TUESDAY, FEBRUARY 19, 2002, BEGINNING AT 2:00 P.M. IN THE TOV COUNCIL CHAMBERS. THE NEXT VAIL TOWN COUNCIL REGULAR EVENING MEETING WILL BE ON TUESDAY, FEBRUARY 19, 2002, BEGINNING AT 7:00 P.M. IN TOV COUNCIL CHAMBERS Sign language interpretation available upon request with 24-hour notification. Please call 479-2332 voice or 479-2356 TDD for information. 'vaildaily.cnm _.Tuesda~!, January 22, 2002 -Page A5 C COMMUNITY _ ., _ ree-t~lmmin trio trlum Valk ti'22-deCOfatFllg ~; 'light just where it belongs -and Cf2WS Sh1112 dUfing ~~ of ;~, .'; just there.. "I .don't-know how th2 h0llday S2aSOn '- `~ ° ~ many times he went back to the ,:', tY.~.n ;';:~ , ,,,~, roundabout tree this year; I lost By Geraldine. Haldner ~.~_ ~ ~~ -'= count," Pardee says. . .. DAILY STAFF WRITER ~j :.~ t '":', Nothing has Changed an terms - . ~ _~ ~' `> ~ r`"' of materials and trees covered, ~~r~ '~ '` " ~ Pardee says. What has changed is George Chalberg prepared ~ r r ~ ~ ~` , ra ~ the team-spirit and the motto that plenty for Christmas last year - „'''~ ~ ~ ;~~~' ~ ~ „~ :' :~', cheers them on plainly. not shopping for gifts or baking , ~ ,. ,~ _~'" ~ "~ _ ~~~~ ~,,~ e •'1.~. _ ~,~~ ~ .- "World-class and kick Beaver cookies but decoratin trees for Y ?•-! • ` '' ~~x Creek's ass -and you can print the town of Vail. -., , m ~~~,~ '' r.~ ~ .~ • ,y ~ ~~~,~' ~ . ;. ~ that," Pardee told .his "guys" each. In all; Chalberg; a 26-year-old '"'` ~ ~_,~,~ ~ ~j day before they fanned out over seasonal employee with the. ~ ''~` ~,; ~': '~z~~.:-~, K ,~"~w ~ -<~~ •,II town, ready to take -tiny little. town's public works department, ~,` =~:~ ::.,,~'`~'"~ ~ ~~' '.•.~' lights to prickly tree branches pinned countless rgiles of mini- '~ ~ ~ ~ ~ ~ ~ ~" and to out-do that certain neigh- .lights to prickly branches, spend- ""`"~ ~ = > .~,3 ~ ,- ~ boring ski resort., as well as them- Ing close to 300 hours perched in , ; ~t"~» r~,~;~,-:r, ~ y,..Y. ~. ~ - ~' selves. a Cherry Picker ° during -the `'~ ~' ~ ~ +:- ~ ~.~',r ~ ` I'm not sure if it was so much months. of November and ` ~?',`~ ;' ~~. fw ~~x z ~ = of a comperitlon" Chalberg says.. December.' ~ f, ;; ~ ' ~ "I think our team won though" It's an important task -the t ~ z ' ~ _ ~ • ~~`~., ~ The result, everyone in town M .«: town's holiday. image depends on ~~ " A '.''~' ~ ~. ' "'` agrees, is stunning:. it _-- 'and doin it -comes with ~ 3. ~~ ~, `',h ~ .~~~ g s ,< . ~~ .,, ,~~ ~ ~ '~ ' ^ The "Patriot Tree" gracing some job-related hazards. F' r`= ~'-:~' r,.,~ ' ~' `~' the West Vail roundabouts in red- "It was an interesting tirrie. '~., ' , <, :.' ~'~` ~`"' ' y j white-and-blue glowing glory, the It's not too bad .you are strapped'.: ~ ~.~.'>~ ~'' ~ ~ '~~~ ~ braYn child of:public works in and it is pretty stable, so it isn't ~ ~'' --~.---~' ' y"~'" --••-.: employee Tracy Gonzales: too scary;" says Chalberg, who Vail Daily/Melinda Kruse ^ "Jerry's tree," named until Nov. 5, had never spent a Town of Vai! employees David D'uehesneau, left, and because.` it is the one. former moment in a Cherry Picker or as George Chalberg help with the decorating of Vail for the President Gerald Ford lights dur- much as a thought on decorating holiday seasons. ' ing the Christmas .Tree. lighting a 35-foot tall Evergreen, ceremony. Its candy-colored hues "It was .fun .for the most part, "The. trees lining Vail's -main Pardee. "But iti is all worth it."' have made it the likely candidate although I was about 5 pounds. roundabout alone took up as Pardee, who- glows about as for most photographed subject in ' heavier in the evening with all. many as nine. miles of lights - much with pride about his "guys" town during the holidays - ll the.. pine-needles in my clothes setting the scene for master tree- as the trees, .which- garnered so Richardson's handiwork. ' and my hands all scratched up" trimmer Dave Richardson, a 19-. much .attention this past season ^ The dozens .and dozens. of Chalberg is one of 30 tireless year public works veteran whose, the Vail Town Council recognizes white-lit:. trees everywhere. in tree trimmers;. or tree decorators biker-dude looks betray his ° the tree-trimming. crews during town. ` as .they prefer to 'be called,, if at amazing aptitude for making a their Feb. 5 work session. "These guys are. all incredible. all. tree look like it comes with lights Richardson will be one of Talking..about,'beng committed "I don't think Pll ever deco- -naturally. them. He doesn't like to give -than would :put it' mildly," rate another tree -until next "Dave's tree," the 35-foot-tall- interviews - he just, decorates. Pardee says. "They truly had their year, I guess. I definitely got my Evergreen in the center of the This year he spent nearly 400 hearts in. theirhands and wanted fill of tree decorating for now," roundabout, :took approximately_ hours.. doing-the hallmark trees, to make this a really special holi- Chalberg says.: 33 miles of .light. strings and saps including the'."Gerald Ford Tree" day season:' In .all, Vail's tree-trimming.. enough power to cause the aces- at Slifer Square. Geraldine Haldner .covers crews. spent more than- 3,000 ` sional short=out. "IfI didn'ttell him to stop, he° Vail, Minturn and:Red Cliff. Shea hours since Labor Day stringing- "We had a couple of small would still be there,". says Pardee can be reached at .(970) 949- °miles and miles of fights onto: 65 ' fires," says Roads and of Richardson's legendary tenaci- 0555, ext. 602 or at ghald- to 75 trees. around town. Maintenance Supervisor Larry.... ty when incomes to putting each ner@vgildatly.com. Page A6 -Tuesday, January 22, 2002 THE-NAIL DAIi CRASH Creative American Cuisine From page A6 don't know. ' 25% Off AI I Entrees "I think it is a legitimate pol- wO k11eW Il~~lt J-J;45pCYl Nlgrlt~~/ icy question," he adds. "Can we away It WaS Serving dinner nightly 5:00 -9:30pm afford parking on the, north-~ ide 9 ~ r On the main Roundabout • Avon • 949-3366 of the road, so close to I-70. gaSOlllle. www.vistarestaurant.com McLaurin says he hasn't die- ~ t ~~ ~, ~ cussed the ~ accident and the JOhn GU~ICI(" questions- it .raises with :the ' Vni~.FiRE CHIEF` entire Town Council, but if pos- sible he would like to see` a k. 1. f review of the par mg po icy or tion. alo term sol u ng- 'Fortunately:: for the town's - "insurance carrier, McLaurin Day of Kersey, .Colo:, Donald says, no cars :were parked-near suffered only bumps and bruises where the crash happened, even "and was _able to tell `arriving though- the parking: structures emergency personnel that the . were just a few hundred cars tanker's compartments. we're from capacity; The frontage empty. road was littered with .metal ~ Day fold Vail investigators he shards and wood pieces.. had tried to".avoid a swerving "I don't know what it would 2000 Oldsmobile Alero, which- . take; if we need to do a retaining had cut across the median from wall .and how much right-of- I-70's westbound lanes and way we own. to .widen the .road "was- coming. straight at him," and do parking on the south side according to the accident report; of the Frontage Road and maybe The driver of the Oldsmobile, even, stronger barricades," he 20-year-old Major Rettig of says.. - Grand Junction, suffered. minor " Overall, both Gulick and - injuries.' His vehicle,.. which 'McLaurin say they are satisfied spun back into the median after ' with the way firefighters and a impact with the truck, was " ..hazardous-materials. team from "totaled," according to the acci- the Colorado State. Patrol dent report. responded to the .accident scene. Both men will have to return "We knew .right. away it' was ' for court dates in Eagle County `gasoline," Gulick says, adding :Court, according to_ the traffic that the placards on the side of tickets they received. heavy trucks like this one give Day, who works for. Harper. away the contents. Oil Company, Inc. out of "We just didn't know at first Commerce City; was summoned. if it -was full. of if or not: ' into county court "for driving The , driver, 35-year-old ~ while license is under restraint;" .._. ~.._ _t ~_ What is NWCCQG? ' `Northwest Colorado Council of Governments (NWCCQG) is a voluntary association of ,county and municipal governments who indi- vidually.and colleaTively believes that working. - together on `a regional basis provides benefits that could not be obtained without the associa- tion with tither jurisdictions. There is no universal model for regional coun- cils of governments. There. are thirteen re- gional governmental .associations within Colo- rado. All are different. and unique because each reflects the. needs and desires o~ its mem- bership. NWCCQG literally becomes what its members-want it to be due to the changing needs and opportunities unique to the region. The Board of Directors, made up of represen- tatives from each member jurisdiction, directs the activities of NWCCQG. The professional staff at NWCCQG is responsible for carrying out the direction. • ' NWCCQG provides services to its mem- hers thdtare more cost effective and efficient when executed on a regional shared basis rather than being dupli- sated by each member jurisdiction. Far example, the NWCCQG Elevator ln- spedian Program ensures that member jurisdictians remain incompliance with building Bodes by employing certified elevator inspectors to work across jurisdic- tiona) boundaries, elimfiating the Held for individual jurisdictions to employ, train, and certify their own inspectors. - . "`Y • NWCCQG provides the "critical mass" nerds- sary'to take advantage of various federal pro- - grams.. " N1ar4y federal programs have minimum popula- tion requirements necessary to enact the pro- gram. NWCCQG, through i#s combined mem- bershtp,meets mandated population thresholds that then make benefits available to individual members that would otherwise be too small to receive them. NWCCQG is the designated agency for several federal programs on behalf of its members. NWCCQG is responsible for programs under the Older Americans Act (Alpine Area Agency on Aging), the Clean Wa- ter Act (Regional 208. Water Quality Manage- went Plan), and the Energy Conservation and Production Act (weatherization of homes of low- income families). • NWCCQG provides strength to individual member jurisdictions by speaking to matters with a unified voice comprised of multiple jurisdictions. For example, NWCCQG successfully. influenced policy developed by the United States Forest Service regarding land and resource manage- went by speaking with a` unanimous voice re- garding specific issues and opportunities, In - addition, NWCCOG's Water Quality and Quantity Committee (QQ) provides a unified voice to the state legislature regarding critical water issues.. • NWCCQG provides a regional perspective to local, state, and federal policy makers. NWCCQG gathers, analyzes, maintains, and distributes economic, demographic, and environ- mental data on a regional basis over time. Cost of living, housing, water quality, and transpor- tation are but a few of the areas of data con- cerning regional issues.. .. ,~~w • NWCCQG responds to regional needs that are ten large to be addressed by individual jurisdictions. For example, NWCCQG responded. to a need for a regiona8y coordinated Geographic lnfor- motion System: (GIS) that will allow GIS link-. ages between multiple-municipal, county, state, and federal jurisdictions. NWCCQG also re- sponded to a need for attainable and: afford- able health insurance coverage for employees of local governmenta) jurisdictions by organiz- ing inforrirational warkshops orr alternatives for obtaining affordable health insurance saver- age. • NWCCQG promotes the concept of regional multi-jurisdictional cooperation for improved -efficiencies and effectiveness between multi- . plc governmental jurisdictions. For example, eighty percent of the NWCCQG region is in federal ownership. NWCCQG sus- cessfuUy promoted the concept of federal, state, county, and municipal coaperption in ma- jor watershed sized areas through the "Building Bridges" project. • NWCCQG provides a regional forum for the purpose of facilitating communications be- tween `multiple. governmental jurisdictions regarding issues and opportunities. NWCCQG is the only organization withirrthe region that provides a recurring forum for elected officials from bath county. and munici- pal governments covering a six thousand square mile area. In addition, NWCCQG co-. operates with other regional arganizatians within Colorado as well as the notion to ex- pond the size of the forum. • NWCCt3G provides custom designed services for individual member jurisdic- tions effectively expanding the staff capabilities of hose jurisdictions re- garding specific needs. NWCCC>G makes its staff available to respond to specific requests from individ- ual jurisdictions for assistance. `~N~CCOG also coordinates the acquisi- ~;- ~ ~ ~- Lion of resources to assist individual mem- bers. • . NWCCOG leverages members' dues dollars into larger amounts of financial resources. Although membership dues comprise Drily 10°10 of the operating budget, NWCCOG utilizes dues as matching re- - sources for the acquisition of public and private grants. In tsddition, NWCCOG staff provides in-kind matching resources to add to the financial resources. Lever- age ratios for. financial resources range from $2.70 to $59:5!3 per $1.00 of member dues. Cam` -.aft . al)~~=:~ `CKi..... _, . ._ C~.i,.._. Mission Statement: The purpose of the Northwest Colorado Council of Governments is to be responsive to our members' needs and interests by provid- ing guidance and assistance in problem solve ing, information sharing and partnership building, advocating members'. interests and needs with local, state and federal entities, and providing _quality services to our mem- bership that are relevant, effective and effi- cient. Northwest Colorado" Council of Governments P.O: Box 2308 249 Warren Ave. Silverthorne, CO 80498 Phone: 970-468-0295 Fax: 97068-1208 www.nwc.cog.co.us .P CI .!n. 90VGN T ._ ~ - Whaf is NWCCOG? .. ®J OUNCiI of GOV¢RNMENT~' .,. : ~~ Serving the following"local governments: Eagle County Avon Basalt Eagle. Gypsum Minturn Red Cliff Vail Grand County Fraser Granby. Grand Lake Hot Sulphur Springs Kremmling Winter Park Jackson County Walden Pitkin County Aspen ..Summit County Breckenridge Dillon Frisco Montezuma Silverthorne TOWN OF VAIL MEMORANDUM TO: Robert McLaurin Council Members FROM: Jacque Lovato DATE: O 1 /23/2002 RE: Investment Report Enclosed is the investment report with. balances as of December 31, 2001. The estimated avereage yield for the pooled cash fund was 3.50%. As of 12/31/01, the yield curve for 3 months, 6 months, and 1 year are 1.72%, 1.82%, and 2.22% respectively. Please call me if you have any questions. Town of Vail, Colorado Investment Report Summary of Accounts and Investments For Month Ended 12/31/01 2001 Money Market Accounts (see page 3) Commercial Banks Colorado Investment Pools Money Market Funds Total Percentage of Portfolio in Savings & Loans U.S. Government Securities (see page 4) FEDERAL AGENCY DISCOUNT NOTES & BONDS FNMA'S, ARM'S & SBA'S Total Total Portfolio Maturing Within 12 Months Maturing Within 24 Months Maturing After 24 Months Balances Percentage 09/30/01 of Total $4,326,385 18.18% $1.4,226,876 59.79% $2,153,160 9.05% $20,706,421 87.02% 0.00% $1,550,625 6.52% $1,537,215 6.46% $3,087,840 12.98% $23,794,261 100% $19,413,951 81.59% $1,493,438 6.28% $2,886,872 12.13% $23,794,261 100.00% 12/31/01 Page 2 Investments12312001 Money Market Funds as of 12/31/01 Institution Type of Accounts COMMERCIAL BANK ACCOUNTS First Bank of Vail -Operating Interest Balance US Bank Super Now Account Interest General Operating Account Balance Total Commercial Bank Accounts 1.860% 0.950% 1.560% $3,161,224 $2,192,546 $2,680,996 $3,274,706 2.200% LOCAL GOVERNMENT INVESTMENT POOLS Colotrust General Fund Interest Balance Total Local Government Investment Pools Accounts MONEY MARKET FUNDS Schwab Institutional Money Market Fund -Dana Investments Interest Balance WestStar Bank Money Market Public Account Interest Balance Total Money Market Funds Total All Accounts For the Month of 12/31/01 High Low Average 4.060% Balances 12/31/01 $14,226,876 $14,226,876 2.500% $62,539 1.340% $2,090,621 $2,153,160 $20,706,421 12/31/01 Page 3 Investments 12312001 Government Securities as of 12/31/01 ***Federal Agency Discount Notes & Bonds*** Days/Years Interest Rate Purchase Maturity to Maturity Book Original Agency Fund Coupon Yield Date Date at Purchase Value Cost FHLB Pooled 6.250% 6.250% 3-Apr-00 15-Nov-02 2.6 $1,550,625 $1,474,453 Average Yield 6.17% $1,550,625 $1,474,453 ***FNMA 'S, ARM'S & SBA'S*** Days/Years Interest Rate Purchase Maturity to Maturity Book Agency Fund Coupon Yield Date Date at Purchase Value SBA Pooled -Dana 10.725% 29-Jun-94 25-Feb-08 13.7 $14,264 SBA Pooled -Dana 10.225% 26-May-94 25-Maz-08 13.8 $24,662 SBA Pooled -Dana 10.725% 18-Aug-94 25-Jul-08 13.9 $16,760 SBA Pooled -Dana 10.270% 18-Aug-98 25-Feb-11 12.5 $29,233 SBA Pooled -Dana 9.375% 31-Oct-96 25-Jan-13 16.2 $13,590 SBA Pooled -Dana 9.975% 29-Jun-94 25-Jun-19 25.0 $27,686 SBA Pooled -Dana 10.225% 12-Jul-94 25-Jun-19 25.0 $16,818 SBA Pooled -Dana 9.975% 8-May-95 25-Dec-19 24.6 $29,081 SBA Pooled -Dana 9.750% 26-Feb-99 25-Feb-24 25.0 $40,999 SBA Pooled -Dana 6.625% 1-Aug-Ol 25-Jun-26 125.0 $96,019 GNMA Pooled -Dana 7.125% 25-Jan-99 20-Oct-18 19.7 $39,859 GNMA Pooled -Dana 6.750% 12-Aug-97 20-Sep-25 28.1 $16,535 GNMA Pooled -Dana 7.125% 24-Nov-97 20-Oct-25 27.9 $17,461 GNMA Pooled -Dana 7.375% 27-Apr-98 20-Jan-26 27.8 $14,212 FNMA Pooled -Dana 8.197% 21-Nov-96 1-Jan-21 24.1 $44,506 FNMA Pooled -Dana 7.869% 30-Oct-98 1-Apr-24 25.4 $33,523 FNMA Pooled -Dana 8.428% 1-Jul-96 1-May-26 29.9 $2,597 FNMA Pooled -Dana 7.729% 27-Jul-00 1-Apr-28 27.7 $61,623 FNMA Pooled -Dana 7.424% 24-Oct-00 1-Apr-28 27.5 $52,207 FNMA Pooled -Dana 7.335% 1-Jul-99 1-May-28 28.9 $16,693 FNMA Pooled -Dana 7.949% 1-May-00 1-Jun-28 28.1 $46,831 FNMA Pooled -Dana 6.589% 23-Maz-00 1-Dec-29 129.8 $35,442 FNMA Pooled -Dana 6.684% 18-Apr-O1 1-Dec-29 128.7 $72,531 FNMA Pooled -Dana 5.896% 18-Jun-01 1-Sep-30 129.3 $68,036 FNMA Pooled -Dana 6.078% 25-Jul-O1 1-May-31 129.9 $84,498 FNMA Pooled -Dana 6.071% 1-Sep-O1 1-Jun-40 138.8 $98,5$6 FNMA Pooled -Dana 6.676% 28-Jun-99 1-May-29 29.9 $48,364 FNMA Pooled -Dana 6.821% 27-May-94 1-May-20 25.9 $23,702 FNMA Pooled -Dana 8.121% 24-Jun-99 1-Aug-22 23.1 $55,233 FHLMC Pooled -Dana 7.918% 23-Jun-98 1-Aug-25 27.1 $21,768 FHLMC Pooled -Dana 8.240% 28-Mar-96 1-Maz-26 29.9 $532 FHLMC Pooled -Dana 8.113% 21-Dec-00 1-Mar-28 27.2 $60,759 FHLMC Pooled -Dana 7.581% 24-Aug-00 1-Mar-29 28.5 $30,362 FHLMC Pooled -Dana 7.569% 24-Aug-00 1-May-29 28.7 $24,004 FHLMC Pooled -Dana 7.012% 27-Dec-99 1-Aug-29 29.6 $50,864 FHLMC Pooled -Dana 6.593% 1-Nov-Ol 1-Nov-31 130.1 $95,139 FHLMC Pooled -Dana 8.680% 28-Aug-94 1-Aug-18 23.9 $10,283 FHLMC Pooled -Dana 8.084% 28-Jun-94 1-Mar-19 24.7 $7,678 FHLMC Pooled -Dana 6.858% 22-May-96 1-Feb-36 39.7 $12,302 FHLMC Pooled -Dana 6.919% 27-Feb-O1 I-Feb-30 28.9 $36,931 FHLMC Pooled -Dana 8.449% 25-Oct-99 1-Jan-18 18.2 $33,674 Accrued In terest $8,097 Income Receivable $3,271 Average Yield 4.76% $1,537,215 Total $3,087,840 12/31/01 Page 4 Investments12312001 Government Securities as of 12/31/01 ***Federal Agency Discount Notes & Bonds*** Days/Yeazs Interest Rate Purchase Maturity to Maturity Book Original Agency Fund Coupon Yield Date Date at Pwchase Value Cost FHLB Pooled 6.250% 6.250% 3-Apr-00 15-Nov-02 2.6 $1,550,625 $1,474,453 Average Yield ***FNMA'S, ARM'S & SBA'S*** $1,550,625 $1,474,453 Days/Yeazs Interest Rate Pwchase Maturity to Maturity Book Agency Fund. Coupon Yield Date Date at Purchase Value SBA Pooled -Dana 10.725% 29-Jun-94 25-Feb-08 13.7 $14,264 SBA Pooled -Dana 10.225% 26-May-94 25-Mar-08 13.8 $24,662 SBA Pooled -Dana 10.725% 18-Aug-94 25-Jul-08 13.9 $16,760 SBA Pooled -Dana 10.270% 18-Aug-98 25-Feb-11 12.5 $29,233 SBA Pooled-Dana 9.375% 31-Oct-96 25-Jan-13 16.2 $13,590 SBA Pooled -Dana 9.975% 29-Jun-94 25-Jun-19 25.0 $27,686 SBA Pooled -Dana 10.225% 12-Jul-94 25-Jun-19 25.0 $16,818 SBA Pooled -Dana 9.975% 8-May-95 25-Dec-19 24.6 $29,081 SBA Pooled -Dana 9.750% 26-Feb-99 25-Feb-24 25.0 $40,999 SBA Pooled -Dana 6.625% 1-Aug-O1 25-Jun-26 125.0 $96,019 GNMA Pooled -Dana 7.125% 25-Jan-99 20-Oct-18 19.7 $39,859 GNMA Pooled -Dana 6.750% 12-Aug-97 20-Sep-25 28.1 $16,535 GNMA Pooled -Dana 7.125% 24-Nov-97 20-Oct-25 27.9 $17,461 GNMA Pooled -Dana 7.375% 27-Apr-98 20-Jan-26 27.8 $14,212 FNMA Pooled -Dana 8.197% 21-Nov-96 1-Jan-2d 24.1 $44,506 FNMA Pooled -Dana 7.869% 30-Oct-98 1-Apr-24 25.4 $33,523 FNMA Pooled -Dana 8.428% 1-Jut-96 1-May-26 29.9 $2,597 FNMA Pooled -Dana 7.729% 27-Jul-00 1-Apr-28 27.7 $61,623 FNMA Pooled -Dana 7.424% 24-Oct-00 1-Apr-28 27.5 $52,207 FNMA Pooled -Dana 7.335% 1-Jul-99 1-May-28 28.9 $16,693 FNMA Pooled -Dana 7.949% 1-May-00 1-Jun-28 .28.1 $46,831 FNMA Pooled -Dana 6.589% 23-Maz-00 1-Dec-29 .129.8 $35,442 FNMA Pooled -Dana 6.684% 18-Apr-O1 1-Dec-29 128.7 $72,531 FNMA Pooled -Dana 5.896% 18-Jun-O1 1-Sep-30 129.3 $68,036 FNMA Pooled -Dana 6.078% 25-Jul-O1 1-May-31 129.9 $84,498 FNMA Pooled -Dana 6.071% 1-Sep-O1 1-Jun-40 138.8 $98,586 FNMA Pooled -Dana 6.676% 28-Jun-99 1-May-29 29.9 $48,364 FNMA Pooled -Dana 6.821% 27-May-94 1-May-20 25.9 $23,702 FNMA Pooled -Dana 8.121% 24-Jun-99 1-Aug-22 23.1 $55,233 FHLMC Pooled -Dana 7.918% 23-Jun-98 1-Aug-25 27.1 $21,768 FHLMC Pooled -Dana 8.240% 28-Mar-96 1-Maz-26 29.9 $532 FHLMC Pooled -Dana 8.113% 21-Dec-00 1-Maz-28 27.2 $60,759 FHLMC Pooled -Dana 7.581% 24-Aug-00 1-Mar-29 28.5 $30,362 FHLMC Pooled -Dana 7.569% 24-Aug-00 1-May-29 28.7 $24,004 FHLMC Pooled -Dana 7.012% 27-Dec-99 1-Aug-29 29.6 $50,864 FHLMC Pooled-Dana 6.593% 1-Nov-O1 1-Nov-31 130.1 $95,139 FHLMC Pooled-Dana 8.680% 28-Aug-94 1-Aug-18 23.9 $10,283 FHLMC Pooled -Dana 8.084% 28-Jun-94 1-Mar-19 24.7 $7,678 FHLMC Pooled -Dana 6.858% 22-May-96 1-Feb-36 39.7 $12,302 FHLMC Pooled -Dana 6.919% 27-Feb-O1 1-Feb-30 28.9 $36,931 FHLMC Pooled -Dana 8.449% 25-Oct-99 1-Jan-18 18.2 $33,674 Accrued Interest $8,097 Income Receivable $3,271 Average Yield 4.76% $1,537,21 S Total $3.,087,840 12/31/01 Page 4 6.17% Investments12312001 ~~tb, v. Jo~-mr w. G~ov~N~o February 5, 2002 1?,~~u~tivz ~Jir-ee~or ~ . , i; I To: Town of Vail Council Members ,~ ~,~.~,~ ~ ~M~. ~~ . ~ ~ ~' ~`' ~ From: Bravo! '~ ~~~. Vail Valley Music Festival -a~~~. ~ ~~~; In Regard: Vail-New York Project ~ ~~ Bravo. and The New York Philharmonic ~~ ~ ~Ta. re ~ -M~~r ~~ - ~r ~~fafiF~,~. ~ ; ~ ;° Dear Members of the Town of Vail Council, , ,, ~ ~; ~ ~* ~- - ~~Y ~"'~"~ ~; On behalf of the Board of Trustees, performing artists, and staff of the ~~~ ~ f~"'°~ ~~ Bravo! Vail Valley Music Festival, thank you to the Town of Vail for the generous ~~~ys~ 4 Er ~ z and committed support to Bravo! and the arts over the past 15 years. The Bravo! ' „ ~~t~~~ t" ~ ~~ ~ ,~` ~ ~ Anniversary Season during the summer of 2002 and will Festival will enter its 15 fwsw r ~ '~ ~~~ Cam, "~~'. _~ ~. ` again bring to Vail three great American orchestras and over 40 international solo ~~g~ ~~~r~~+Br ~R~tvt~ ~~~~ artists in the presentation of 60 concerts serving residents and visitors alike with ~~t~ ~,*_ , , ~- `_ ~ glorious sounds in the Colorado Rocky Mountains. ~ ~ ~~~~~~~ ~'' ~ "~ ~ The summer of 2003 marks the beginning of a new and exciting era for ~x~~1~~,~~ v,W ~'~ ;~n~~'~~~~~' ~ Bravo! with the presentation of a new resident orchestra, the incomparable New .~~~`.3~.~~~'~ York Philharmonic under the baton of Lorin Maazel. Because of the Festival's ~~`]~(~'~]( r~~1Y~~,~.~~;~ ' unique position with the presentation of three resident orchestras, Bravo! and the ~~.• ~~~~~~ ~ New York Philharmonic have come to agreement for athree-year residency in ~'' ~~'~`'~"~''~```~ ~ .~.'~,~~~ r Vail for the ears 2003 - 2005. The addition of America's fla shi orchestra to the y g p ~~ ~~~~~~~ w~,,, Bravo! roster will not only elevate the artistic level of the Festival but will also k p~~~~ 1 ~ propel Vail's summer marketing opportunities to a new level as a summer ~~"~~~"art ~~ y ~ ._ destination resort. li... .~ x,~ ~ a .. '" The annual budget for the New York residency in Vail is $1.1 million. The ire, i.;" Bravo! Festival seeks special project funding fromthe Towneof Vail as a municipal partner in the amount of $100,000 for each resident year :beginning 2003 through 2005. This municipal support is vital to the success of the Vail -New York ,..t.: "" project. Thank you. ., >..; ~~;~ ~:..:n ~,. • • • Brava!~A][]L ~AY,g,EX ~`-~ ~LpSIC ---~~-'"'~ ~ESTIVA]L a~ ,,,tc 2c ,_ ' ,.--. .~ z ,- T ~~ k ~ ~~ ! ('_(li_~~RA~1 ,._~ .. th h.~~c ti~cce~, ~ntiti~tc ~edtwuc .,anniversary Season ..... CeCe6Yating 1 S 2'ears of .Music that moves the spirit. "~,~ :~- ; F ~ ~ • -' ~ d '_ . ~i . '~ ,er •y,~'°ir~ '~~ 5F.~51.1\. '~ "'~~ _.~ _ ,~ c~~. ~ryT } C 1 S~cf'~~ I • n~~ :~, .f ~: 1 ~ ~~ ~, ;.~, ;, ~, .. ~~ ""I~+` ~e \R~`~~ {~/I I~• $ucw ~lr3wr-'6-.l9Pn II. IAL .., ~^~ `11 1 Bravo! Budaet Histo 4, 500, 000 - - + -- ; v,r,~y°. ~ ~ j~~ ~ ~-` f ~: ~ 4,200,000 • , y+~ 4, 000, 000 *.~~` ~~!" '~'~ ~ .'`~"' ~ .~ s. ;~' •'`' ~,~ ~ ±~,~ `; ~ ~+~ ~ ~ " ~.rj ~ ~.-~ 3,500,000 ~.~ sc ~~ ~• ~ u ~~ ~: ,~.!~~ ~'• , ~ + 3,424,796 3, 500, 000 _ :`' ~ ~.- ~+ , , ~• ~' '~' ~'~'~~~ ~~~ ,~~~ .~ ~~ ~i 3,306,198 r .~ ~~ 'ti .i ~ 1, .i'~~ l r k - e. ~ 3,053,999 3,000,000 ~ ,k"~ r r i'~ e" .~a~~ a _ .. !" q ~t +~ ~ f i~ - ~ , ~ ~~ 2,575,100 .._. 2,500,000 - ,,~ ~~ _,~~ a ~" ~=` ' ~ ~„ _ ~ ; O . ~,~~ ~ ~ ~• -., 2,172,995 .r. ~ ~' 1 1,962,420 Q 2, 000, 000 ~~ ~ ,. ;~ •° - ~ 1,689,407 ~: 1,568,481 - '- ~~~• 1,459,607 - 1,500,000 1,285,000 r 1,155,000 {n r i t 1,025,000 r +i .. a 1, 000,000 825,000 675,000 ~ .. ,•,r 500, 000 ~ . ~ ~ ~ , 0 - 1988 1989 1990 1991 1992 1993 1994 1995 1996 1997 1998 1999 2000 2001 2002 2003 Year Music Festival Total Concerts and Attendance 50,000 45,000 40,000 ~ 35,000 V = 30,000 ~ 25,000 ~ 20,000 .~-+ Q 15,000 10,000 5,000 0 Year 1988 1989 1990 1991 1992 1993 1994 1995 1996 1997 1998 1999 2000 2001 2002 2003 Num ber of concerts 6 9 23 23 24 25 27 27 28 29 30 32 33 33 34 - ---- - - - -- - _ _ -- - ----- - I • Source: Bravo! Vail Valley • Music Festival _., ^ 35000 30000 25000 ,, ~ = 20000 N.~ = 15000- "~'r 10000 Q 5000 0 Year 1988 1989 1990 1991 1992 1993 1994 1995 1996 1997 1998 1999 2000 2001 2002 2003 Number of 6 9 14 15 17 17 17 17 17 17 17 21 21 22 23 Concerts •` Source: Bravo! Vail Valley Music Festival Vail Concerts and Attendance 32297 31046 29268 27830 26300 25270 18933 19678 17235 16101 14444 4500 2100 0 Bravo! Audience Demographics by Region 60% 50% 40% 30% 20% 10% 0% 55.20% 13.00% 11.40% ~~~o ~~o ~` 9.00% ~o'~~`°~~o~~ Source: RRC Associates, Vail Valley Tourism & Convention Bureau, Bravo! Vail Vallev Music Festival • • ~ Source: RRC Associates, Vail Valley Tourism & Convention Bureau, B~avv!VAIL VALLEY --~ I~/IZISIC ~~~EESTNAL 1. Is this the first Bravo! Vail Valley Music Festival concert that you have attended? Yes 35% No 65% 2. How many performances will you attend this year? 1 27% More than 5 25% 2 - 3 23% Almost All 12% 3 - 5 13% 3. Are you: A seasonal resident (live in the Vail Valley less than 6 months per year) 26% A full-time resident (live in the Vail Valley more than 6 months per year) 33% Visiting the Vail area just for the day (NOT staying overnight in the Vail Valley) 6% A visitor staying overnight in the Vail Valley (from East Vail to Eagle) 35% How many nights will you stay Where are you staying? in the Vail Valley this visit? 1 - 2% 6 13% Lodging in Town of Vail 63% 2 - 26% 7 9% Lodging down valley 8% 3 - 13% 8 4% With friends 24% 4 - 2% 9 4% Other 4% 5 - 9% 10 or more 19% 4. Did you plan a special trip to the Vail Valley in order to attend a Bravo! performance? Yes 23% Became aware after arriving 36% N/A (local resident) 41% 5. Will the Festival influence your decision to return to the Vail Valley? . Yes 55% No 29% Uncertain 16% 6. What other summer activities do you enjoy? Hiking 59% Horseback Riding 11% Biking 42% Shopping 70% Camping 17% Golf 33% Fishing 16% Sightseeing 49% Rafting 27% Other 16% 7. Will you be patronizing a Vail Valley restaurant after the concert? Yes 63% No 37% 8. Age: 10. Annual Household Income: Under 21 5% Under $25,000 5% 21 - 35 18% $25,001 - $50,000 11% 36 - 50 21% $50,001 - $100,000 28% 51 - 65 40% $100,001 - $150,000 14% 65 & better 17% $150,001 + 43% 9. Region of Origin Northeast (ME, VT, NH, RI, CT, NY, NJ, PA, DE, MD, MA) 3.6% Southeast (VA, WV, DC, NC, SC, GA, FL, KY, TN, AL, MS) 8.9% Midwest (OH, IN, IL, MI, WI, MN, IA, MO, KS, SD, ND, NE) 11.7% South (TX, OK, LA, AR) 12.7% West (CO, NV, CA, WA, OR, MT, ID, WY, NM, AZ, UT) 6.1% Hawaii and Alaska 0.0% Canada and Mexico 1.4% • • • INF OR.MATION Year Orchestra Special Groups/Guests Composer(s) Yount Artists 1988 N/A Free Flight Jazz Quartet N/A N/A Oregon Jazz Quartet 1989 National Repertory Orchestra Free Flight Jazz Quartet N/A N/A McLain Family Appalachian Band 1990 Rochester Philharmonic Orchestra Preservation Hall Jazz Band Vivian Fine N/A National Repertory Orchestra 1991. Rochester Philharmonic Orchestra Henry Mancini, Conductor Aaron Jay Kernis Edwards Arron National Repertory Orchestra The Magic Circle Mime Company Bruce Adolphe Colin Jacobsen Japanese Noh Theater Peter Schickele Albert Kim Bugaku Dancers Yehudi Wyner The Gary Burton Group The Christopher Hollyday Quartet 1992 Rochester Philharmonic Orchestra David Grisman Quartet (jazz) Anthony Davis Damien-Eric Verdugo National Repertory Orchestra Doc Severinsen Melissa Ortega Colorado Symphony Orchestra Tibetan Performing Art Troupe of China Qing Quo Magic Circle Mime Jennifer Morsches 1993 Rochester Philharmonic Orchestra The Beaux Arts Trio Ellen Taaffe Zwilich A.E. Smith Quartet National Repertory Orchestra David Grisman Quartet Athena Quartet Colorado Symphony Orchestra NexuslMaster Percussionists Del Sol Quartet Colorado Springs Symphony Theatreworks Nicoletti Quartet Stony Brook Quartet 1994 Rochester Philharmonic Orchestra Sharon Isbin Aaron Jay Kernis Beaver Creek Musicians ,~ Colorado Symphony Orchestra The Billy Taylor Trio Program Colarado Springs Symphony ~" ;~. • Year Orchestra 1995 Detroit Symphony Orchestra Colorado Springs Symphony National Repertory Orchestra • Saecial Grouas/Guests Colorado Symphony Chorus Colorado Children's Chorale Peter Duchin and His Orchestra The Billy Taylor Trio Comaoser(s) Bruce Adolphe 1996 Rochester Philharmonic Orchestra The Colorado Chorale Alvin Singleton Detroit Symphony Orchestra The Billy Taylor Trio 1997 Rochester Philharmonic Orchestra The Billy Taylor Trio John Deak Detroit Symphony Orchestra The Colorado Chorale Colorado Symphony Orchestra Magic Circle Mime Company 1998 Rochester Philharmonic Orchestra Borromeo String Quartet Bright Sheng Detroit Symphony Orchestra Judy Collins Colorado Symphony Orchestra The Billy Taylor Trio 1999 Rochester Philharmonic Orchestra eighth blackbird John Musto Colorado Symphony Orchestra Arlo Guthrie Dallas Symphony Orchestra Mambo Kings Shanghai String Quartet 2000 Rochester Philharmonic Monica Mancini (vocals) Libby Larson Colorado Symphony Orchestra Arturo Sandoval Dallas Symphony Orchestra Shanghai String Quartet Bravo Broadway 2001 Rochester Philharmonic Arlo Guthrie Elizabeth Brown Colorado Symphony Orchestra Avalon String Quartet Dallas Symphony Orchestra Bravo Broadway 2002 Rochester Philharmonic Los Companeros Jake Heggie Colorado Symphony Orchestra Shanghai String Quartet Dallas Symphony Orchestra :a.. ,. Young Artists Beaver Creek Musicians x Program Beaver Creek Musicians Program Beaver Creek Musicians Program Arcata String Quartet New House Ensemble New House Ensemble Cecilia String Quartet _~=n String Quartet ; °' ;u -~ > ;;~ `%~i ~;~,, • C, ~~ Bringing Communities Together FRIDAY JANUARY 11, 2002 VOLUME XXI, NUMBER 2O8 Bravo! brings on New York Philharmonic By Robert Kelly-Goss ARTS AND ENTERTAINMENT EDITOR If the Bravo! Vail Valley Music Festival's lineup of orchestras hasn't been enough for symphony lovers, how about the New York Philharmonic? That's right, Bravo! has brought in "America's First Orchestra" for a three-year engagement as a resident orches- tra beginning in the 2003 summer season, according to festival exec- utive director John Giovando. "It's been in the works for about a year," Giovando said in an interview from New York. Melissa Sanders, the public relations director with the Philharmonic, said the orchestra has in the past been concentrating on largely international engage- ments and realized that it was time to bring the music home. Additionally, while the orchestra has done residencies, the three- year engagement with the Vail Valley Music Festival is a first. Festival artistic director Eugenia Zuckerman said she is "thrilled and honored" to have the New York Philharmonic play at Vail's Ford Amphitheater. "The Philharmonic's residen- cy in Vail will not only bring the highest musical standard to the valley, but it will also invigorate the entire region," she said. "With its artistic legacy and its profound dedication to music, the New York Philharmonic will inspire and delight our audi- ences" Giovando said this artistic coupe for the valley brings a higher level of a cultural appre- ciation to the summer season. "We hope it will be a tremendous economic stimulus and put us on the cultural map, not that we were already there," Giovando said. The Philharmonic's residen- cy with the festival is scheduled to begin in the summer of 2003 and- run through the 2005 sea- son. Beyond that, Giovando said valley symphony lovers will have to wait and see. Special to the Daily Bravo! has negotiated a deal with the New York Philharmonic tp play three seasons beginning the summer of 2003. ..L, ~ „~ ~ .,,,, 1'ue•. • ARTS & E VI;R POST 3F .~.~~ ~RTAIl~~ME T N Vail music fest makes a name for itself By Kyle MacMillan Ilenvei r'usl CiihcarLaige AIL -Liven all the classical mu- sic festivals that take place each sunuuer in Colorado, particularly the Imrg mm~ing and storied one in Aspen, (t wuulrl he easy fur the Bravo! Vail Valley Music Festival Lo get lost in the crowd. Ilul the musical offering, which is back fora 14th season (hat continues through REVIEW Aug. 5, has found sever- -- -----~ al ways to craft a dis- liuclive nnlsical profile and entice audi- ences to its inure than 60 concerts, starling with its unusual approach lu orchestral uwsic. Unlike most festivals, which serve as a summer home fora professional symphu- ny or assemble their otvn orchesG as with musicians un break, Vail Valley serves as host. lu residencies by three nrajur orches- tras from across l'9c country, including the Rochester t'hilharnrunic. The upstate Nc11 York ensemble return- ed last 1~ ridgy fur its 11th visit to the (esli- val,and ilhas prelcuted (our concerts so (ar, including a prrormance Sunday vvilh fooled pianist Juba Drowning (more on (flat lalerl. Another way Vail Valley distinguishes it- self from other events is through the set- tings for its concerts. Must of these sum- mer series take place in one venue ur at least in structures un the same grounds, but this festival stays true to its name and spreads its presentations across the valley. '. 7'Itree concerts earlier this week, For ex- ample, were all in different places, slart- ingSunday with Lhe philharmonic's con- cert in the Festival's main venue in Vail, lire Gerald R. Ford Amphitheater, which Ilas reserved and lawn seating for about 2,3U0 people. $10 million renovation It was just renovated for F10 million, and the results are impressive. It is a Ilandsume space with the mountains visi- ble irr lire background, brit, like any open- air theater, it suffers from an inevitable diffusion o[ sound and the distracting am- bientnoises produced by everything from birds to Massing sirens. One other little problem is a design [law that allows tfte sLrn to cask glaring light across portions of the stage and covered seating jest as it is about to set. A festival spokeswoman said the architects hope to solve the problem for next summer by moving a series of flags into a blocking po- siliun. Monriay evening's offering was held abullt 30 miles west of Vail in an all-pur- puse clllbtlouse fora (rousing development near Eagle. The building was probably never intended for concerts, but ifs high ceiling offered good sound resonance and its small size was ideal for ttae chamber music on the bill. A little mare than 100 people filled the room, and none was more than 10 rows from the front. The result was the kind of electric experience rarely possible in big- ger spaces, in which the sound and energy pouring from lire musicians seemed al- most palpable. Tuesday evening's concert -another clr unber-music offering -was at the 500- seal Vilar Center For the Arts in Beaver Creek, about 10 miles west of Vail. This new center is a lola-flight, technically so- phisticated facility for music and dance. Rochester Philharmonic skilled Few iF any small cities in the United States can boast an orchestra of the quality and history o(tlte Rochester Philharmonic. The skills of lids disciplined orclleslra were nicely showcased in a version of Mod- est Mussorgsky's "Pictures at an Exhibition" led by music director Chris(opher Seaman. This interpretation was effective if not par- ticularly distinctive, and lire playing was consistently clean and cogent. Also on lire program was Ludwig van Bee- thoven's Piano Concerto Nu. 4 in G major, Op. 58, with Browning as soloist. It was hard to get excited about tlds performance, which came off as confine, except for the pianist's irllrfguingly intimate, interior-looking per- formance of lire slow second movement. Offering the only break from the otlaer- wisestubbornly conventional program was "An Orkney Wedding, Wilh Sunrise," a fun, easy-to-like piece by Maxwell Davies, which drarnalically concludes with a bagpipe solo- ist (Nanci Tunnicliffe) coming in from the back of the audience. To get a sense of this often-Irrrmorous piece, which includes deliberate breakdowns hr the playing and odd slides plat evoke the mounting intoxication of the revelers, just imagine what would have resulted if P.U.Q. Bach had ever taken part in a Scottish wed- ding and then tried to create music about it. For Monday's chamber-music concert, the festival assembled an admirable group of five young players -some already known, such as cellist Andres Diaz and violinists Chee-Yon and Anne Akiko Meyers, and Lwo at floe start of their careers, violist Andra Voldins and cellist Jennifer Lucht. Beethoven, Schubert works The highlight of the short program - which featured two works by the contempo- raries Ludwig van Beethoven and Franz Schubert -was the tatter's Quintet bl C ma- jor for Strings, Op. 163, D. 956. ]Lis one of Lhe true chamber masterpieces, and lllis en- semble made sure it came off (trot way. Sounding as if they had been together for years, the five musicians flu ew lhemselrrs into this music, playing with delightful, joy- ous verve. The five were back Tuesday evening in another chamber-music program, and lhev were joined by Browning, tvho is not often heard in (his context, and flutist Lugenia 7,u- kerman, the festival's artistic director. A high point was a fiery, well-balanced perfor- mance of Sergei Prukofiev'ssLarkly beauti- Gal Sonata in C major far Two Violins, Op. 56, with Cllee-Yon and Meyers. Also worth noting was Lhe concert's clos- er, a passionate,tolally involved version of Johannes Brahrns' Piano Quartet No. 1 in G mirror. Op. 25, with the elder Ilrovening pro- viding dependable support to his young, en- ihusiaslic rollaboralors - Mevers, Diaz and Volduas. its & Leisure C~j~ ~leltr ~vrk ~tm~~ SUMMI=R_FES,TIVALS SUNDAY, 1filAY~ 2001 • CLASS[CAL MUSIC i a •~~ ~w ~ . . ~ +~ a Q a ~ ~ `~ / 4 ~ ~ 3 . ~ e ` ~+ ~~ ~~ .. ~,.. .~ ~;,~ _. `.~. <~. ~; ~; ~> Monika Aichele This list is selective, and programs are sub- ject to change. More information is available through individual ticket offices. Colorado VAIL VALLEY MUSIC FESTIVAL -Vail, Beaver Creep and environs, June 27-Aug. 5 _ (877-827-5700)-. Orchestral and j azz concerts in mountain settings, under the theme "A Mu- sical Odyssey: Masters o~ the Past and Present.'.' The Dallas Symphony, conducted by Andrew Litton, acid the Rochester Philhar- monic, conducted by Christopher Seaman, are in residence. Other artists include Andre Watts, Kurt Nikkanen, the Avalon String Quartet,.Valentina Lisitsa and Eugenia Zuk- erman. www.vaiI.net/bravo • pyrigh[ ©2001 The New York Times ,~ .• • NEW YORK, TUESDAY, JANUARY 30, 2001 $1 beyond the greater New York mete Maayells to Lead Philharmonic; Will Succeed Masur as Director By RALPH BLUMENTHAL The New York Philharmonic end- ed adifficult three-year search for a new music director yesterday by naming Lorin Maazel, a 70-year-old American conductor, composer and violinist, as the successor to Kurt Masur, 73, starting late next year. Mr. Maazel, who has held prime podiums in Berlin, Cleveland, Vienna and Pittsburgh and will leave his current post as music director of the Symphony Orchestra of the Bavar- ian State Radio next year, had been a front-runner for weeks while orches- tra officials insisted that they. were still considering other candidates: Mr. Maazel, reached on tour in Spain, said he was "totally happy" to accept the job as the orchestra's 24th music. director in a line stretching back to 1842 and to return to New York, the city of his parents' births, where he promised to nurture new composers as well as to tend to the classics. "As Stravinsky said, revolution means turning the wheel," Mr. Maa- zel said from Madrid, where he was performing a Brahms violur and pi- ano program with Yefim Bronfman. Paul B. Guenther, the Philharmon- ic's chairman, and Zarin Mehta, its executive director, would not release Mr. Maazel's salary. in the four-year contraci beginning with the 2002-03 season - -and Mr. Maazel himself ec lne o iscuss 1 - ~ 1 from accounts of what he has been paid in Munich, his annual compen- sation .may be well above Mr. Ma- sur's $1.5 million. Like Mr. Masur, they said, Mr. Maazel will make New York his conducting focus, playing 10 weeks of subscription. concerts the first season and 14 weeks for the next three seasons, while also taking the orchestra on tour. As recently as Jan. 17, denying an article in The Washington Post stat- Continued on Page E4 Lorin Maazel as guest conductor of the Philharmonic in November. _... Maazells Named to Lead :Philharmonic After- Masur • Continued From P¢ge Al ing that &Ir.. Maazel's appointment was imminent, Mr. Guenther said that any decision was "a minimurit of -weeks if not months away:" But yesterday,.in response to questions, Mr. Guenther said Ghat on the.night of the 17th, he and.William McDon- ough, head::. of. the Philharmonic's search committee, met with Mr: Maazel over dinner in Manhattan, giving. the appointment a strong fpr- ward push:;. . The decision was further cement- . ed aweek later, Mr.. Mehta said,' when he met with Mr. Maazel in Munich . alter. ~ the Philharmonic's tour of Spain and found the conductor "so excited about coming. to New York." ' ".This all happened in less than.two weeks,".continued Mr. Mehta, who also had been telling reporters that he was considering other candidates. Asked yesterday if Mr. Maazel was his particular choice, Mr. Mehta said, "It was a choice of a vaziety of people involved in the picture." But he said that Mr: Maaiel's nationality certainly did not hurt. "He is an American, and this is the oldest American orchestra," he said. On Sunday night, when "it became evident that Lorin was getting the nod," Mr. McHta said, he notified the orchestra committee representing the musicians. The public announce- ment was. made after the. Philhar- monic board approved the appoint- ment at a meeting yesterday. Mr.. Guenther said the PhiEaar- monic-was delighted with Mr. Maa- zel's appointment.."Under his artis- tic leadership we look forward to a vibrant and adventurous. collabora= tion, linking the future to our orches-' tra's long and majestic history," he said. The musicians, who have been un- abashed admirers .of. Mr.. Maazel. since he led them last November in a . series of concerts, seemed equally delighted. "I'm hopeful we have the most virtuosic conductor in the world about to engage the most vir- tuosic orchestra," said Joseph Rob- inson, the principal oboist He called Mr: Maazel "a young 70." The choice of Mr. Maazel, the first American to lead the Philharmonic including Mr. McDonough, ap- proached Mr. hfasur after he. had .completed seven. years on the job and suggested he step down by the season beginning September 2000. Mr. Masur, infuriated,- resisted and ended up negotiating an extension of his contract until September 2002. Mr: Masur. worked under a so- called .evergreen.- contract 'whose third year came up for rehewal an- nualiy: [hat is, Mr. Masur always fiad two years' warning.. of any cfiange. Mr. Maazel's contract is for a straight four years, Mr. Guenther said. Mr. Maazel said yesterday that he had not yet discussed the job-with 'Mr,:Masur whom, he said, he had known since they were artistic col- leagues 35 years ago, although work- ing. on different sides of the wall in .divided Berlin.. •, According to Mr: Maazei's. r€- sume, he has condiict8d~more.than' 150 drehestras in moi•e:_ than 5,000 opera and ~. concert' performances Dyer the last half-century, including 10 of the..last 18. traditional New Year's concerts from Vienna with the Vienna Philharmonic, the: last broadcast to. more 'than a billion viewers. Since serving as the artistic director of the Deutsche Oper Berlin from -1965 to 1971, he was .music director of the Cleveland Orchestra from 1972 to 1982, general manager of the Vienna State Opera from 1982 to 1984, .'and music director of the' Pittsburgh Symphony- from 1988 to 1996: He is now music director of the Bavarian' Radio Symphony Orches- tra, a position that the British music writer Norman Lebrecht reported paid Mr. Maazel the equivalent of $3.8 million when tie began in 1994..• Mr; Maazel is also a composer; a 'symphony he wrote for the Vienna Philharmonic had its world, pre- ' miere last February. He has com- posed anopera based on George Orwell's novel "1984" that is sciied- ul2d to have its premiere in 2005 at ' an opera house that he declined to identify. Mr. Maazel was born •outside of ' Paris in 1$30 to American parents who traveled there in 1928 so that his father, Lincoln Maazel, .an actor, ,..,..,a .....~-- ----- ... • since Leonard. Bernstein stepped .down In 1969, ended a succession of ill-starred flirtations with other sig- nificant conductors, some of whom seemed to leave the Philharmonic jilted at the altar. Among them was Riccardo Muti of La Scala, who was the runaway choice of the manage- ment and the musicians last year; until he and the Philharmonic could not come to terms over the number of weeks he would commit to the Philharmonic's season. Before and after Mr. Muti were other conductors, like Christof Esch- enbach, chief conductor of the NDR Symphony Orchestra in Hamburg, who embraced other orchestras as they were being mentioned as prime suitors for the Philharmonic. Mr. Eschenbach reached an agreement to join the Philadelphia Orchestra in 2003; , The search began do a bitter note in early 1998 when board members, . returned a few years later to Los Angeles, and Mr_ Maazel at age. 5 began taking violin and conducting lessons under the Russian master Vladimir Bakaleinikoff. He per- formed publicly at 8, and at 23 stepped in for an ailing conductor in Italy. By 196D, he had become the first American to lead the orchestra aL Bayreuth. He is married [o a German ac- tress, Dietlinde Turban, who ap- peared in 10 German movies from 1979 to 1986, including "Mussolini: The Decline and Fall if II Duce" (1985). They have two sons, ages 13 and 11, and a daughter, 8. They divide their time between a farm in Virgin- ia and homes in Europe. He said they had not yet found a place in New York. "It's so new," Mr. Maazel said. "There's been no tine to come up for air." • • • m z U FACT SHEET 2000-2001 Season NEW YORK PHILHARMONIC HISTORY On February 18, 1999 the New York Philharmonic, by far the oldest orchestra in America and one of the oldest in the world, per- formed its 13,000th concert-a milestone unmatched by any other orchestra. Under the influence of its celebrated music directors- among them Damrosch, Thomas, Mahler, Toscanini, Walter, Bernstein, Boulez, Mehta, and Masur-the Philharmonic has played a leading role in American musical life and has maintained a tradition of musical excellence since its found- ing in 1842. In the 20th century, the New York Philharmonic's remarkable achievements in radio, television, and other media have helped shape communications history. In 1922 it became one of the first orchestras to broadcast a live radio concert, and the live coast-to-coast broadcast of 1930 was the first of its kind. Today, the Philharmonic is the only American rymphony orchestra to be broadcast live on a national and regular basis. In 1997, on the diamond jubilee of the first Philharmonic radio broadcast, the Orchestra unveiled a sec of expertly remastered historic recordings spanning six decades of its live broadcasts. Since then, the Philharmonic has released additional CDs documenting its record- ings of Mahler, American music, and never- before-released Bernstein performances -all to critical acclaim. Each year, the Philharmonic per- SUMMARY.-OF FAGS • Founded in 1842, first concert December 7, 1842 • First conductor: Ureli Corelli Hill, American-born • 1928: the Philharmonic Society of New York merged with Walter Damrosch's Symphony Society of New York • 106 contracted musicians (67 men, 35 women, 4 open) • Musicians' contract: 52 weeks • Annual operating budget: mare than $40 million • Sources of funding: Ticket sales, royalties, fees 47% Annual fundraising campaign 30% Government (city, state, and FederaU 1% Investment income 22% forms approximately 170 concerts for live audi- ences of nearly one million and appears on the "Live From Lincoln Center" television broadcasts, which are seen by combined audiences of more than 15 million. 2000.2001 The 2000-2001 season consists of 129 perform- ances arranged in 40 different programs. In addi- tion to the subscription concerts, the Orchestra will present an Opening Night Gala Concert and a series of Special Holiday Concerts. This season marks the New York Philharmonic's inaugural season of the new millennium. A roster of inter- nationally acclaimed artists and guest conductors will make their appearances during the season, nine of the Orchestra's distinguished musicians will be featured soloists, and Principal Guest Conductor Sir Colin Davis will conduct three weeks. Music Director Kurt Masur opens the new season with athree-week celebration of the genius of Felix Mendelssohn; the legacy of Leonard Bernstein will be honored on the 10th anniver- sary of his death; Hans Werner Henze's 75th birthday will be celebrated with the U.S. premiere of his Symphony No. 9; Yo-Yo Ma returns for the • world-premiere performance of a new work com- missioned by the Philharmonic; and Maestro Kurt Masur opens afour-week tribute to Arnold Schoenberg on the 50th Anniversary of the com- poser's death. Audiences will also enjoy Young People's Concerts,® and performances at Long Island University's C. W. Post Campus, the New Jersey Performing Arts Center (Newark), and the Cathedral of St. John the Divine. iVlaestro Masur, entering his 10th season as the New York Philharmonic's Music Director, will conduct 15 weeks of the 34-week subscription season. Returning guest conductors include James Conlon, Andrew Davis, Charles Dutoit, Christoph Eschenbach, Joseph Flummerfelt, Lorin Maazel, Bobby McFerrin, Andre Previn, Leonard Slatkin, Franz Welser-Most, and David Zinman. Five guest conductors, Roberto Abbado, Georg Christoph Biller, David Robertson, Bramwell Tovey (Young People's Concerts), and Marcella Viotti, will make their Philharmonic debuts. TOURS The New York Philharmonic will undertake a diversified touring schedule during the 2000-2001 season. In January, Music Director Kurt Masur and the Philharmonic will travel to Valencia, Madrid, Zaragoza, Barcelona, Oviedo, and Santiago de Compostela for atwo-week tour of Spain. In June 2001, the Philharmonic will embark on its third Latin American tour under Music Director Kurt Masur. Sponsored by Citibank and Salomon HISTORIC TOURS 1882: Midwest states, (Symphony Society) under Leopold Damrosch 1410: New England states, (Philharmonic Society) under Gustav Mahler 1920: Europe, (Symphony Society) under Walter Damrosch ` 1930: First European tour of the combined orchestra, under Arturo Toscanini 1959: First tour to U.S.S.R., under Leonard Bernstein, Thomas Schippers, and Seymour Lipkin 1915: 20-concert European tour, under Pierre Boulez 1984: Asian tour, including the Philharmonic's first tour of India, under 7ubin Mehta 1993: 1 SOth Anniversary tour of Europe, under Kurt Masur RECENT MAJOR TOURS June 2000: Europe (Masur) January 2000 Residenry in Canary Islands, Madrid, Lisbon (Masur) January and June 1999: North America (Masur) October 1998: Cologne Residency (Masur) June 1998: Asia (Masur) June 1997: Latin America (Masur) August -September 1996: European Festivals (Masur) June 1995: Europe (Masur) June -July 1994: Asia (Masur) Smith Barney, the Orchestra will perform in Sao Paulo, Rio de Janeiro, Santiago, Buenos Aires, and in Central America. Over the past two decades, Citibank; a member of Citigroup, has sponsored 15 of the Orchestra's tours, helping to create per- formances in 90 cities and 45 countries. LIVE RADIO BROADCASTS Featuring the only American orchestra currently broadcasting live, monthly, and nationally, "Time Warner Presents: The New York Philharmonic Live!" reaches approximately 5 million listeners per radio broadcast. The 2000-2001 season broadcast dates are: September 28, October 26, November 9, December 14, January 4, February 8, March 15, April 19, and May 31. The broadcasts are spon- sored by Time Warner Inc., and are produced and ryndicated by WFMT Chicago. New York's 96.3FM WQXR airs the broadcasts locally. TELEVISION The Philharmonic's first televised concert was June 26, 1950 on NBC, from Lewisohn Stadium in New York Ciry. The New York Philharmonic inaugurated "Live From Lincoln Center" on '{ January 30, 1976 and continues to perform two` ' telecasts each year. This season's first broadcast is Wednesday, September 20: Kurt Masur, conductor; Kiri Te Kanawa, soprano Available in a home-video edition are 25 of the now-legendary Philharmonic Young People's Concerts® conducted by Leonard Bernstein. Originally broadcast on CBS from 1958 to 1972, the programs were eventually shown in 29 countries. NEW YORK PHILHARMONIC WEBSITE Located at www.newyorkphilharmonic.org, the Orchestras website offers the most up-to-date information on the New York Philharmonic. Browse the pages for season listings; find the dates of live radio and TV broadcasts; get information on Orchestra members, conductors and soloists; listen to sound clips; and even order tickets online. New this season: complete program notes available online two weeks before each concert. EDUCATIONAL ACTIVITIES The New York Philharmonic offers a variety of educational activities designed for children and adults. During the 2000-2001 season, these activi- ties will include Children's PromenadesTr'' and • • • r~ Young People's Concerts® (families and children ages 6-12); Musical Stor}~time (families and chil- dren ages 3-6); Musical Encounters (school groups, grades 4-12); School Day Concerts (school groups, grades 3-12); Philharmonic Teens (ages 12-17); Young Subscribers Club (ages 18-29); Mentors and Proteges (all ages); and Pre-Concert Lectures (adults). A series of seminars will be offered for both classroom teachers and music educators. Debuting in Fall 2000, the New York Philharmonic will host Take Nore, with online teachers' guides to the Philharmonic's live televi- sion. and radio broadcasts. For children, the inter- active websice Kidzone offers fun and learning about the orchestra to children in the U.S. and 55 countries. The New York Philharmonic continues to offer Residency Programs and its School Partnership Program, an ongoing sequential (three- year minimum) program involving a select group of New York Ciry public schools. College music students may learn From master artists through the Philharmonic's Conservatory Collaborations. COMMISSIONS AND PREMIERES Placing newer compositions alongside established classics has historically been one the Philharmonic's responsibilities to its community, and the New York Philharmonic is well known as a leader in contemporary programming and commissioning. The first work written expressly for the Philharmonic Society of New York was Frederick Schneider's Symphony, performed in 1854. The first work commissioned by the Philharmonic- Symphony Society of New York (the combined orchestra) was Philip James' overture Bret Harte, which premiered December 20, 1936. During the 1962-63 season, its first at Lincoln Center, the Philharmonic instituted its first large-scale com- missioning series. A second series in 1967-68 marked the Orchestra's 125th anniversary, and the NOTABLE HISTORIC PREMIERES Beethoven Symphony No. 8 lU.S., 1844) Symphony No. 9 (U.S., 1846) Berlioz Symphonie fantostique (U.S., 1866) Brahms Symphony No. 4 (U.S.,1886) Dva~bk Symphony No. 9 (World, 1893) Gershwin Piano Concerto in F (World, 1925) Mahler Symphony Na. 2 (U.S., 1908) Symphony No. 4 (U.S., 1904) Symphony No. b (U.S., 1947) Rachmaninoff Piano Concerto No. 3 (World, 1909) R. Strauss Death and Transfiguration (U.S., 1892) Stravinsky Symphony in Three Movements (World, 1946) Tchaikovsky Romeo and Juliet Overture-Fantasy (U.S., 1876) Violin Concerto (U.S., 1889) Piano Concerto No. 2 (World, 1881) Symphony No. 6 (U.S., 1894) Wagner Die Walkiire, Act I (U.S., 1876) 150th Anniversary Commissions represented the most ambitious commissioning project in the Orchestra's history, encompassing 36 new works. The 2000-2001 season will include three world premieres: a new work by Oliver Knussen, Rifhard Danielpour's New Cello Concerto based on Silk Road themes, and Stephen Paulus' New Work for Chorus and Orchestra; two U.S. premieres: Hans Werner Henze's Symphony No. 9, and Siegfried Malthus' Concerro for Flute, Harp and Orchestra; and four New York premieres: Bright Sheng's Red Silk Dance, Capriccio for Piano and Orchestra, Andre Previn's Diversions; Aaron Jay Kernis' Simple Songs; and Christopher Rouse's Violin Concerto. PREMIERES IN RECENT. SEASONS 1999.2000 Kernis A Garden of Light (World) Tarke Four Seasons (World) PS 199 Students The Colorful Variations 16 (Young People's Concert) (World) Ades America for Mezzo-Soprano 8 Orchestra (World) Satoh Kisetsu for Orchestra (World) Henze fraternite Air for Orchestra (World) Saariaho Olha Mar, 7 Preludes for the New Millenium for Orchestra and Mixed Choir (World) Corigliano !localise for Soprano, Elechonias, and Orchestra (World) Kancheli And Farewell Goes Out Sighing for Violin, Countertenor, and Orchestra (World) Kamen Canadian Brass Dectet (NYP Presents Holiday Brass) (World) Marsalis All Rise (World) Pugh Trombone Concerto (New Yark) Weill Street Scenes (World) Daugherty UFOfor Salo Percussion and Orchestra (New York) ' Uebermann Trumpet Concerto (World) 1998.99 Ellington/Marsalis Afro Bossa (Bula); Blues in Blueprint Noppy Go Lucky Locaf, A Tone Poem to Harlem (World) Guhaidulina Two Paths Music for Two Solo Violas and Symphony Orchestra (World) MacMillan The World's Ransoming (U.S.) Rouse Seeing for Piano and Orchestra (World) Seltzer Lament to Yitzhak (U.S.) Tan Dun Concerto for Water Percussion and Orchestra in Memory of Toru Takemitsu (World) 1997.98 Beoser Manhattan Rall (World) Del Tredici The Spider and the fly (World) Und6erg Feria (U.S.) Penderecki Symphony No. 5 (New York) Previn Sally Chisum Remembers Billy the Kid (New Yark) Tarn Orchestra Variations (World) r;: ~' _ ~~, _, ,~~~_., d9 • • RECORDINGS Recordings of the New York Philharmonic are available on major labels, including Deutsche Grammophon> London, New World, RCA, Sony Classical, and Teldec, with which Kun Masur and the New York Philharmonic have recorded exten- sively since 1991: • First Philharmonic recording, January 1917-Stransky conducting Thomas: Raymond Overture; Weber: Der Freischutz Overture; Beethoven: Symphony No. 5, Andante (2nd Movement) • Nearlv 2,000 recordings made to date; more than 250 currently available • First recording of synchronized music score from a movie soundtrack, Dan juan> 1926 New York Philharmonic Special Editions New York Philharmonic: Bernstein LIVE (To be released October 2000) This 10-disc set contains 13 hours of Leonard Bernstein's never- before-released New York Philharmonic live per- formances recorded between 1951 and 1981. Also included are two companion booklets with essays, new program notes, and 200 archival photos. Sweeney Todd Live at the New York Philharmonic (To be released Fa112000) Recorded live during once-in-a-lifetime perform- ances of Stephen Sondheim's legendary musical theater work, featuring George Hearn, Patti LuPone and Audra MacDonald, this two-disc set also includes a 130-page companion book. New York Philharmonic: An American Celebration (Released 1999) This 10-disc set is the most in-depth recorded exploration of American music to date, covering 49 works by 39 composers from live concert per- formances recorded between 1936 and 1999. New Yark Philharmonic: The Mahler Broadcasts 1948-1987 (Released 1998) This 12-disc set, the Orchestra's first comprehensive collection of the composer's symphonies, includes audio interviews with famous Mahler interpreters and musicians who played under Mahler. New York Philharmonic: The Historic Broadcasts 1923-1987 (Released 1997) This 10-disc set contains over 12 hours of digitally remastered recordings, spanning 64 years, repre- senting 21 conductors and 18 soloists. Leonard Bernstein's New York Philharmonic Debut The historic radio broadcast of November 14, 1943 is available on CD. ~'Vew York Philharmonic Special Editions -the Ne1v York Philharmonic's own recording label- are available ~vorld~vide at select Tower Records stores, or online at: www.newyorkphilharmonic.or To order in the U.S. and Canada, call toll-free 1-800-557-8268. For international orders, call 1-317-781-1861. Foreign and domestic orders may be fated to 1-317-781-4608. Major funding for all Special Editions releases has been generously provided by Rira E. and Gustave M. Hauser. RELEASES WITH KURT MASUR AND THE NEW YORK PHILHARMONIC Teldec Beethoven Symphony No. 5; Egmont Overture Beethoven Piano Concerfo No. l and Mozart: Piano Concerto No. 23 (with Helen Huang) Beethoven Piano Concerto No. 4 (with Helene Grimaud) ' Brohms Complete Symphonies Brohms Ein Deutsches Requiem Brohms, Reger, Ives-Schuman Variations Britten War Requiem Bruckner Symphony No. 4, "Romantic" Bruckner Symphony No. 7 Dvo"rdk Symphony No. 8 and Jan6iek: Sinfonietta Dvo`rbk Symphony No. 9, "From the New World'; Slavonic Dances Dvor-dk Violin Concerto (with Maxim Vengerav, to be released Fall 2000) Franck Symphony in D minor; Les Eolides Gershwin Rhapsody in Blue, "1 Got Rhythm' Variations (with Fazil Say) Kodaly Hdryldnos Suite, Theatre Overture and Liszt: Mephisto Waltz; Mazeppa Mafiler Symphony No. l; Songs of a Wayfarer (with Huknn Hagegiird) Mahler Symphony No. 9 Mozart Piano Concerto Na. 21 and Mendelssohn: Piano Concerto No. l (with Helen Huang) Prokofiev Symphony No. 5 and Romeo 8 Juliet (excerpts) Ravel Bolero, La l/alse and Debussy: La Mer, Preluded 1'apres-midi d'un faune, Rapsodie pour orchestre et saxophone Rimsky-Korsakov Scheherazade, Capriccio Fspagnol, Flight of the Bumhlehee Schubert Symphony Nos. 3, 5 and Wanderer Fantasie (with Boris Berezovsky) Shostakovich Symphony No. 1, "Leningrad" Shostakovich Symphony No. 13, "Babi Yar" R. Strauss Four Last Songs (with Deborah Voigt), Don luau, Death and Transfiguration Tchaikovsky The Piano Concertos (with Elisabeth Leonskaja) Tchaikovsky Waltzes Weill The Seven Oeadly Sins and Berg: Lulu Suite Sony Classical (formerly CBS Masterworks) Dvo'r6k Cella Concerto and Herbert: Cello Concerto No. 2 (with Yo-yo Ma) Deutsche Grammophon Brohms Violin Concerto and Schumann: fantasyfor Violin and Orchestra (with Anne•Sophie Mutter) • • • FREE PARKS CONCERTS In the summer of 2001, the New York Philharmonic Time Warner Concerts in the Parks will mark the 37th season of free outdoor concerts in the five boroughs of New York Ciry. Major underwriting has been provided by Time Warner Inc.; The City of New York, through the Department of Cultural Affairs, Schuyler G. Chapin, Commissioner; and The Starr Foundation. Additional support is provided by Eleanor Naylor Dana Charitable Trust; The Herman Goldman Foundation; The Victor Herbert Foundation; Kathryn and Gilbert Miller Fund, Inc.; and The Seth Sprague Educational and Charitable Foundation. The Carlos Moseley Pavilion was made possible by generous and deeply appreciated gifts from the City of New York, and The Fan Fox and Leslie R. Samuels Foundation. The parks concerts are presented in cooperation with the Ciry of New York Department of Parks and Recreation, Rudolph W. Giuliani, Mayor; Henry J. Stern, Commissioner; the five Borough Presidents; and the Ciry Council of New York. Since their founding in 1965, the Parks Concerts have been attended by nearly 13 million people. OPEN REHEARSALS During the 2000-2001 season, 30 selected Philharmonic rehearsals will be open to the public ($12 per ticket) on selected days at 9:45a.m. More than 30,000 people attend Philharmonic Open Rehearsals each season. ENSEMBLES CONCERTS In their 18th season, the New York Philharmonic Ensembles will present a series of six Sunday matinee chamber music concerts at Merkin Concen Hall near Lincoln Center during the 2000-2001 season. VOLUNTEER COUNCIL As it begins its third decade, the Volunteer Council consists of 300 members and 25 committees. They serve the New York Philharmonic in several areas, including audience relations, fundraising through the gift shop and special events, service to the Orchestra and management, public awareness, and education. KURT MASUR, MUSIC DIRECTOR Kurt Masur is one of the most widely admired and respected musicians of his generation, known to orchestras and audiences not only as a distin- guished conductor, but also as a humanist. His close and intense collaboration with the New York Philharmonic, where he has been Music Director since 1991, has been marked by a consistently high quality of playing and artistic spirit. Under Mr. Masur's guidance, the Philharmonic has launched a number of successful initiatives, including the return to live, national radio broad- casts and the establishment of Ne~v York Philharmonic Special Editions, the Orchestra's own award-winning recording label. From 19- until 1996, he served as Gewandhaus Kapellmeister of the Leipzig Gewandhaus Orchestra, a position of profound historic impor- tance that has been held by such figures as Ivlendelssohn, Nikisch, Furtwangler, and Walter, and upon his retirement from that post, the Gewandhaus named him its First-ever Conductor Laureate. Mr. Masur is a guest conductor with the world's leading orchestras and holds the lifetime title of Honorary Guest Conductor of the Israel Philharmonic Orchestra. A professor at the Leipzig Academy of Music since 1975, he has received numerous honorary degrees: in 1996 he ` received the Gold Medal of Honor for Music from the National Arts Club;-in 1997 came the titles of Commander of the Legion of Honor from the French government and New York Ciry Cultural Ambassador from the City of New York. In September 2000, Maestro Masur assumes the position of principal conductor of the London Philharmonic Orchestra. At the end of his con- tract with the New York Philharmonic in 2002, he will become the Music Director of the Orchestre National de France. In 1998, Mr. Masur celebrat- ed 50 years as a professional conductor. PAUL 6. GUENTHER, CHAIRMAN Paul B. Guenther, 60, was president of PaineWebber Group, Inc., the parent company ._, PaineWebber Incorporated, until his retirement in 1995. Since then he has focused on the nonprofit sector. Mr. Guenther was appointed Chairman of the New York Philharmonic in September 1996 and Chairman of Fordham University in May 1998. He is an investor in Walden Capital Partners L.P., a Small Business Investment Company, and a member of its advisory commit- tee. In addition, he serves on the Consolidated Freightways Board of Directors. Mr. Guenther earned a bachelor's degree in Economics from Fordham University in 1962 and an MBA in Finance from the Columbia Graduate School of Business in 1964. In the same year, he began his career as a credit analyst with Manufacturers Hanover Trust Co. He joined PaineWebber Incorporated in 1966 as a securities analyst and served in a variety of positions. In 1984, when the company realigned its three principal subsidiaries into one, Mr. Guenther became chief administra- tive officer responsible for Administrative Services, Operations, and Systems. He assumed responsibil- irv for the firm's retail sales business in 1987 and for investment banking activities in mid-1988. In late 1988, he was named president of PaineWebber Incorporated, and in 1994, presi- dent of PaineWebber Group, Inc. Mr. Guenthc was the 1992 recipient of an honorary degree, LL.D., From Concordia College. His organiza- • • tional associations include: Columbia University Graduate School of Business, Board of Overseers; Lenox Hill Hospital, Trustee; Frost Valley YMCA, Chairman; l~fary Flagler Cary Charitable Trust, Trustee; Lincoln Center for the Performing Arts, Board of Directors; and the Governor's Committee on Scholastic Achievement, Trustee. He is also a former Director of the Securities Industry Association, and the Former President and Director of Columbia's Graduate School of Business Alumni Association. ZARIN MEHiA, EXECUTIVE DIRECTOR Zarin Mehta was born in Bombay in 1938, the son of violinist and conductor Mehli Mehta, and brother of conductor Zubin Mehta, former Music Director of the New York Philharmonic. He qual- ified as a Chartered Accountant in 1962 in England and moved to Canada to join the firm of Coopers & Lybrand. While a partner in that pres- tigious firm, he joined the Montreal Symphony Orchestra Board of Directors and later became its vice president. In 1981, he was appointed manag- ing director of the Montreal Symphony, and served until 1990 during its most expansive period. For his work there, the Canadian Government named Mr. Mehra a Member of the Order of Canada. He then ran the Ravinia Festival from 1990-2000 as President and CEO. The Chicago-based international music festival presents the summer residency of the Chicago Symphony Orchestra. He has been praised for his leadership of Ravinia, where he oversaw the start of several audience development programs, inno- vative new music series, and extended community outreach efforts. He has been honored with awards for his contributions to the fine arts from such institutions as Columbia College, Dominican University, and the Music Institute of Chicago. In May 1998, Mr. Mehta received an honorary doctorate from Chicago's Roosevelt University. AVERY FISHER HALL: HOME OF THE NEW YORK PHILHARMONIC • Completed in 1961 (Max Abramowitz, architect) and originally named Philharmonic Hall; first building of Lincoln Center for the Performing Ans. • Renamed Avery Fisher Hall in 1973 in recognition of a major gift from Avery Fisher to Lincoln Center. • Major renovation in 1976 (Philip Johnson, architect; Cyril Harris, acoustical consultant). • Renovation to stage area in 1992 (John Burgee, architect; Russell Johnson, acoustical consultant). • Capacity: 2,738 seats. • Owned and operated by Lincoln Center For the Performing Arts, Inc.; principal tenant, New York Philharmonic. TENURES Of PREVIOUS MUSIC DIRECTORS, MUSIC ADVISORS AND PRINCIPAL CONDUCTORS Of THE NEW YORK PHILHARMONIC' Ureli Corefli Hill 1842.1847 Theodore Eisfeld Carl Bergmann Leopold Damrosch Theodore Thomas Anton Seidl Emil Paur Walter Damrosch Wassily Safonoff Gustav Mahler Josef Stransky Willem Mengelberg Arturo Tostanini John Barbirolli Artur Rodzinski Bruno Walter ', Leopold Stokowski Dimitri Mitropoulos Leonard Bernstein Laureate Conductor George Szell Pierre Boulez 2ubin Mehta 1848-1865 1855-1816 1876.1877 1877-1891 1891.1898 1898-1902 1902-1903 1906-1909 1909-1911 1911-1923 1922-1930 ~, 1928-1936 1936-1941 1943-1947 1941.1949 1949-1950 1949-1958 1958-1969 `; 1943-1990 >, 1969-1910 1911-1917 1978-1991 *In some years there was no designee for these positions. The PhilharmonicSymphony. Society of New York, In<. Chairman: Paul B. Guenther Executive Director: Zarin. Mehta ``The New York Philharmonic is located at: .Avery Fisher Hall, Lincoln. Center 65th Street and Broadway The mailing address is: Avery Fisher Hall l0 Lincoln Center Plaza New York, NY 10023-6973 Phone: (212) 875-5000 Fax: (212) 875-5717 To order tickets, call CenterCharge: (212) 721-6500, or order online: www.newyorkphilharmonic. org For subscription information, call Audience Services: (212) 875-5656 For current program information, call the New York Philharmonic Hotline: (212) 875-5709 What better way to celebrate an important anniversary than to hear some of the greatest music ever written? For Bravo's 15th Anniversary Season, we are presenting extraordinary masterworks anc abulous artists to perform them. Among the stellar artists who will perform this summer are festival favorites like pianist Anne- Marie McDermott, pianist Andre-Michel Schub, cellist Zuill Bailey, pianist Jonathan Biss, violinists Chee-Yun and Anne AI<il<o Meyers, soprano Arianna Zul<erman, and others. We will also introduce sc,me new exciting stars, including the great mezzo-soprano Susan Graham, Russian pianist Boris B ~rezovksy, and the brilliant American cellists Alisa Weilerstein and Daniel Gaisford. Our Composer- in-Residence will be the dazzling Jal<e Heggie, whose opera, "Dead Man Walking" created aworld- ~~~ide sensation at its premiere in San Francisco. His commissioned piece, "The Deepest Desire" has a text by Sister Helen Prejean, and is scored for mezzo-soprano, flute and piano. Our programs are filled with old gems and new delights. Among the celebratory pieces that will be played by our three fabulous resident orchestras -the Colorado Symphony, the Dallas Symphony, and the Rochester Philharmonic -will be Beethoven's monumental Ninth Symphony, Stravinsl<y's "Le Sacre du Printemps," "The Planets" by Gustav Holst, Beethoven's Fifth Symphony, Bartol<'s Concerto for Orchestra, Shostal<ovich's Symphony No. 5, Mahler's Symphony No. 5, and the complete concert version of Verdi's "La Trav' " with a superb cast and chorus. The Colorado Children's Chorale will enhance our patriotic concerts, and our pops concerts will continue to entertain audiences both youn and old. We will have movie music, romantic music, and even baseba music, with Pat Sajal< as narrator. Marl< O'Connor, the unique country/ classical violinist will perform for us, as will a terrific cast for a Bravo! Broadway evening. I am very honored that Los Camperos di Nati Cano, a magnificent mariachi band, will be with us, complete with colorful dancers. For 15 years the Bravo! Festival has been bringing beauty and pleasure to its listeners. With its intimate chamber music concerts and its spectacular orchestral concerts, Bravo! has become one of ,~,merica's most popular and prestigious music festivals. This will ~.e my fifth summer as artistic director, and I believe the season of zooz promises to be our finest so far - a celebratory 15th Anniversary Summer that will make everyone shout Bravo! ~_ '' ~~' ~~ Eugenia Zukerman Artistic Director L~tt~r from the Chc~irmc~n Greetings from the Bravo! Vail Valley Music Festival! Our upcoming i5th Anniversary Season will be a truly special celebration, featuring extraordinary programming, world-class musicians and the virtuosity of our three resident orchestras! None of this would be possible, however, without you, our supporters, to whom we are continually grateful. I would like to give special recognition and thanks to Alberto Vilar for his past generous support, his new 3-year commitment to the Festival, and his leadership role in promoting all performing arts in the Vail Valley and throughout the world. Looking ahead to zoo3, zoo4 and zoos, I am pleased to announce on behalf of the Board of Trustees that the New York Philharmonic has committed to participate in our Festival as a resident orchestra. We are extremely honored that this summer residency will occur here in Vail and know that you will .delight in their artistry. From all of us, thank you for your unceasing commitment to the Vail Valley Music Festival, and helping it to become a great Colorado musical tradition. In both good and difficult times, music touches us all and unites us in a common, uplifting experience. Here in the Vail Valley, we are indeed fortunate to experience the talent of internationally acclaimed musicians in a magnificent mountain setting. We look forward to seeing you this summer at Bravo!'s i5th Anniversary Season, June z9 -August 4, 2002. We're working hard to make sure this will be the most spectacular season ever! Sincerely, ~~,c~;.., ccJ.~6..~. Karin Weber Chairman, Board of Trustees ~II n hisTO~icn~ ' ~Cr~SPCCTIVC: I'I~~.u York Philharmonic The New York Philharmonic is the oldest orchestra in the United States, and one of the most respected and oldest in the world. Started in i8g2 by Ureli Corelli Hill, it merged with the Philharmonic Society of New York in 1928, creating one orchestra for the city. Throughout its 16o-year history, the New ~ York Philharmonic has been a leader in music and musical innovation, and a •''~` fundamental element of American musical history. Past music directors include the longest tenured Philharmonic Music ~'~ Director of the loth Century, Zubin Mehta, along with Leonard Bernstein, Arturo Toscanini and Gustav Mahler. Kurt Masur, the orchestra's current :~ Music Director, has served the orchestra as such in i99i. In 2002, Lorin ,s ~ Maazel will tal<e oven 1n~i lead the orchestra into the list century. The New York Philh,:~r.~~onic has debuted over 65 commissioned works just in the last lz years. They also have broken ground in radio, television, ~ recording and Internet Technology with events such as the first radio broad- . cast of a live orchestral concert in 1922 and the first recording released for exclusive distribution over the Internet in 1996. On February 18, i999~ the '~"` New York Philharmonic Orchestra performed its i3,oooth concert, and set a world record with 800,000 people in their listener audience for their Liberty Weekend Concert in Central Park on luiy 5, 1986. K~irrnnosur, Musico;recror As veteran travelers, the New York Philharmonic's journey to Vail in zoo3 NewYo~~k Philharmonic should be an easy one. Their three-year commitment begins with the Festival's i6th Season, and each year will include six performances during their residency. "The extraordinary combination of the musical excellence of the New York Philharmonic and our mountain setting will provide for a rare experience not found any- where else in the world," said Board of Trustees Chair Karin Weber. "This residency will help the Festival achieve international stature." Soiree hosts Donafd and Georgia Gogel. 15th /~I~II~IIV~r~S/~r~Y 5c/~501~I JUNE 29 -AUGUST 4, 2002 ^ PRELIMINARY SCHEDULE OF EVENTS* ^ Saturday, June a9, 6:0o p.m. Thursday, July i8, 6:0o p.m. Colorado Symphony Orchestra Festival Soiree III Colorado Symphony Chorus Home of Richard and Karen Snyder Gerald R. Ford Amphitheater VilarPavilion, Vail Sunday, June 30, 6:0o p.m. Friday, July i9, 6:0o p.m. An Evening of Sondheim and Bernstein Rochester Philharmonic Orchestra Colorado Symphony Orchestra Chee-Yun, Violin Gerald R. Ford Amphitheater ViiarPavilion, Vail Gerald R. Ford Amphitheater VilarPavilion, Vail Monday, July i, 6:0o p.m. Saturday, July zo, 6:0o p.m. Colorado Symphony Orchestra Rochester Philharmonic Orchestra Alisa Weilerstein, Cello Mark O'Connor, Violin/Fiddle Gerald R. Ford Amphitheater VilarPavifion, Vail Gerald R. Ford Amphitheater VilarPaviiion, Vail Thursday, July 4, 3:0o p.m. Sunday, July zi, 6:0o p.m. Free Patriotic Concert Rochester Philharmonic Orchestra Colorado Symphony Orchestra Jonathan Biss, Piano Colorado Children's Chorale Gerald R. Ford Amphitheater VilarPavilion, Vail Gerald R. Ford Amphitheater VilarPavilion, Vail Monday, July zz Friday, July 5, 6:0o p.m. Introduction to Chamber Music II: Clarinet and Strings Los Camperos di Nati Cano Mariachi Band Lodge at Cordillera, Cordillera Gerald R. Ford Amphitheater VilarPavilion, Vail Tuesday, July z3, 6:0o p.m. Saturday, July 6, 5:0o p.m. Chamber Music Classics III Free Patriotic Concert Vilar Center for the Arts, Beaver Creek Colorado Symphony Orchestra Post Concert Discussion -Afterthoughts Village Green, Beaver Creek Wednesday, July 24, 6:0o p.m. Sunda , ul y J y 7, 6:0o p.m. Rochester Philharmonic Goes Hollywood Dallas Symphony Orchestra Rochester Philharmonic Orchestra Boris Berezovsky, Piano Gerald R. Ford Amphitheater VilarPavilion, Vail Gerald R. Ford Amphitheater VilgrPavilion, Vail Thursday, July 25, ss:oo a.m. Monday, July 8, 6:0o p.m. Free family Concert Festival Soiree I Rochester Philharmonic Orchestra Gerald R. Ford Amphitheater VilarPavilion, Vail Tuesday, July 9, 6:0o p.m. Chamber Music Classics I Thursday, July z5 Vilar Center for the Arts, Beaver Creek Special Chamber Music Classics Kaltenberg Castle, Vail Wednesday, July io, 6:0o p.m. Summer Baseball Melodies & Light Classics Friday, July z6, 6:0o p.m. Dallas Symphony Orchestra Rochester Philharmonic Orchestra Gerald R. Ford Amphitheater VilarPavilion, Vail Andre-Michel Schub, Piano Gerald R. Ford Amphitheater VifarPavilion, Vail Friday, July iz, 6:0o p.m. Verdi: La Traviata (Complete Concert Version) Saturday, July z7, 6:0o p.m. Dallas Symphony Orchestra i5th Anniversary Gala Dinner and Auction Dallas Symphony Orchestra Chorus Kaltenberg Castle, Vail Gerald R. Ford Amphitheater VilarPavilion, Vail Sunday, July 28, 6:0o p.m. Saturday, July i3, 6:0o p.m. Rochester Philharmonic Orchestra The Broadway Concert - A Romantic Journey Daniel Gaisford, Cello Dallas Symphony Orchestra Gerald R. Ford Amphitheater VilarPavilion, Vail Gerald R. Ford Amphitheater VifarPavilion, Vail Monday, July z9 Sunday, July i4, 6:0o p.m. Introduction to Chamber Music III: Dallas Symphony Orchestra Cello and Friends Dallas Symphony Orchestra Female Chorus Anne-Marie McDermott, Piano Tuesday, July 30, 6:0o p.m. Gerald R. Ford Amphitheater VilarPavilion, Vail Chamber Music Classics IV Monday, July i5 An AfI Baroque Evening Vilar Center for the Arts, Beaver Creek Introduction to Chamber Music I: A Trio of Strings Lodge at Vail, Vail Thursday, August i, iz:3o p.m. Monday, July i5, 6:0o p.m. Special Chamber Music Classics Kaltenberg Castle, Vail Festival Soiree II Grojean Residence Thursday, August i, 6:0o p.m. Tuesday, July i6, 6:0o p.m. Festival Soiree IV Chamber Music Classics II Friday, August 2, 6:0o p.m. Vioar Center for the Arts, Beaver Creek Festival Soiree V zooz Festival Commission Premiere Post Concert Discussion -Afterthoughts Sunday, August 4, 6:0o p.m. Wednesday, July i7, 6:0o p.m. Chamber Music Classics V Vilar Center for the Arts, Beaver Creek Dailas Symphony Orchestra Susan Graham, Mezzo-Soprano Gerald R. Ford Amphitheater ViiarPavilion, Vail *Subject to change without notice As a nonprofit organization, it is critical for the Bravo! Vail Valley Music Festival to maintain its Endowment Fund in order to ensure its economic stability and future growth as a major event of the Vail Valley. Tax-deductible donations may be made through cash, credit, securities and real estate. If you would like to find out more about supporting the Festival, contact Jeanne Reid toll free at (877) 8z7-57o0, or by e-mail at jreid@vailmusicfestival.com. /~r~TIST r~OST~r~* Piano Boris Berezovslry Jonathan Eiss !eke H~ggie Andrew Litton Anne-Marie McDermott Andre Michel Schub Christian Steiner Harpsichord Kathleen McIntosh Violin Theodore Arm lames Ehnes 6cnny Kim Anthea I<reston Anne Akiko Meyers Marls O'Connor Chee-Yun Viola Toby Appel Nokuthula Ngwenyama Marcus Thompson G„~~, ~nri«,~, Cello Zuill Bailev Jason buckles Daniel Gaistord Eric I<im Allsa Weilerstein Double Bass Peter Llovd Ft u to Eugenia Zukerman Oboe Stephen Taylor Clarinet Bil Jackson CellistZuill5niley, RPOConducto~ ChristopherSearnan and Violinist Anne Akika Meyers at the Loewenstern Soiree Voice Susan Graham, Mezzo soprano William Burden, Tenor Maureen O'Flynn, Soprano Stephen Powell, baritone Arianna Zukerman, Soprano Colorado Symphony Chorus Dallas Symphony Chorus Colorado Children's Chorale Ensemble-in-Residence Shanghai String Quartet Weigang Li, violin Yiwen Jiang, violin Honggang Li, viola Nicholas Tzavaras, cello American Composer-in-Residence jalce Heggie Guest Artist Los Camperos di Nati Cano -Mariachi Band Narrator Pat Sajai< Festival Hosts Lynne Mazza Eugenia Zukerman Young Ensemble Program String Quartet Resident Orchestras Colorado Symphony Orchestra Morin Alsop, Music Director and Conductor Adam Flatt, Associate Conductor Dallas Symphony Orchestra Andrew Litton, Music Director and Conductor Richard I<aufiman, Principal Pops Conductor Lawrence Loh, Associate Conductor Rochester Philharmonic Orchestra Christopher Seaman, Music Director and Conductor Jeff Tytik, Principal Pop; Conductor Michael Butterman, Principal Education Conductor Simone Carle n. Guest Conductor *Artists subject to change 0 ~ui~~ hnr ~enin~s The Bravos Guild, through its 16z members, is proud to have actively supported the Festival throughout the numerous activities of the i4th BRAVO! Vail Valley Music Festival season. A total of 87 persons from the Guild provided i78o hours of volunteer time to staffing the concerts. In addition, Guild members assisted with various other tasks for the Festival. Through our fundraising efforts, we donated $6,00o to co-sponsor a free family concert. In addition the Guild donated over $3,00o to the Bravo! Education Fund for the area's young musicians. Our 7th annual snowshoe and cross country ski event in January was a huge success with our earnings doubled by Wal-Mart matching funds. Throughout the concert season, the merchandising items were well received by the many concert-goers and our efforts at CD sales were highly successful with many guest artists providing CDs for their performances. Our speaal activities for zooz are the 8th Annual Snowshoe by Starlight on February i3, the membership reception on March 14; the Fourth of)uly parade entry; the Stage Dinner, and a few other events still in the planning We welcome your participation and support at any of these activities. Please come join us! 6uilcJ aoc~rcl m~mb~rf Mary Ann Metternick, Co-president Joanne Grimm, Co-President Warren Garbe, Vice President Wendy Gustafson, Secretary /Treasurer Bob Berger Laura Garbe Robin Landry Marcia McCalden Cal Miller Susan Pollack Andy Searles .~~.~~~ zoos Guild award winners at the Guiid Appreciation party. Please feet free to contact any of the Board members to offer suggestions for our activities and any way we can serve the Festival better during the concert season. We look forward to seeing you during the exciting 15th Anniversary Season. /~1l~~rt® \1ii~r ~r~f~ntr 1St~'1 /~f1f14V~rfClrt,~ ~C~Clf~fl The Board of Trustees and Executive Director John W. Giovando are pleased to anr~oui that Alberto Vilar will be the Presenting Sponsor of the 15th Anniversary Season of th Bravo! Festival in Zoo2. Mr. Vilar has committed to support the Festival as such for 2002, Zoo3 and Zoo!. He has contrbuted greatly to the performing arts in the Vail Valley and throughout the world. Founder of Amerindo Investment Advisors, Inc., Mr. Vilar is of Cuban American her- itage and graduated from Washington and Jefferson College in 1962. He continued his education, earning his M.B.A. from Iona College in ,.969, and has completed coursewark in a mathematical ecor~omics doctoral program. He was awarded an Honorary Doctorate of Humanities by his Alma Mater in 1998. Mr. Vilar is aworld-renowned patron of the performing arts with unprecedented donations. In addition to local performing arts contributions, his nationai and interna- tional support include that to the Kennedy Center, the Lincoln Center, London's Royal Opera House, the Metropolitan Opera, the Salzburg Festival, the Kirov Opera, the Muiskverien Opera House, Carnegie Hall, New York University, and the Maazal/Vilar Conductors' Competition Foundation. In recognition of his vision, together with his national and 'international patronage, the Festival has nominated him for the zoos National Medal of Arts. Winners of this prestigious award will be recognized by the President in early 2002. D ^ D Jane Smiley, Tammy McLaine, Patricia O'Neil(and Cathy Stone at the zoos Gala and Auction. Presenters Rob Wright, Jan Broman, Kay Chester and Julie Esrey G f if t~~nth c~nniv~rfc~ry f~c~fon FOR COMPLETE TICKET INFORMATION CALL: 970.827.5700 www.vailmusicfestival.org Post Office Box zz7o Vail, CO 81658-z27o PLANNING AND ENVIRONMENTAL COMMISSION PUBLIC MEETING SCHEDULE Monday, January 28, 2002 PROJECT ORIENTATION / -Community Development Dept. PUBLIC WELCOME 12:00 pm MEMBERS PRESENT Galen Aasland Chas Bernhardt Diane Golden Brian Doyon John Schoffield Doug Cahill Erickson Shirley MEMBERS ABSENT Site Visits : 1:00 pm 1. Mountain Haus - 292 E. Meadow Drive Driver: Bill ®o NOTE: If the PEC hearing extends until 6:00 p.m., the board may break for dinner from 6:00 - 6:30 Public Hearing -Town Council Chambers 2:00 pm A request for an exterior alteration or modification, in accordance with Section 12-7A-12 (Exterior Alterations or Modifications), Vail Town Code, to allow for the construction of a new front entry feature at the Mountain Haus, located at 292 E. Meadow Drive/Lot 5, Part of Tract B, Vail Village 1St Filing. Applicant: Mountain Haus, represented by Fritzlen Pierce Architects Planner: Bill Gibson MOTION: Chas Bernhardt SECOND: Brian Doyon VOTE: 6-1 (Schofield opposed) TABLED UNTIL FEBRUARY 11, 2002 2. A request for a final review of a text amendment to Title 12, Chapter 3, Administration and Enforcement, of the Vail Town Code, to establish criteria for consideration for zone district amendments to the Official Town of Vail Zoning Map and setting forth details in regard thereto. Applicant: Town of Vail Planner: George Ruther MOTION: Brian Doyon SECOND: John Schofield VOTE: 7-0 TABLED UNTIL FEBRUARY 11, 2002 ~. TOWN OF PAIL ~ 3. A request for an exterior alteration or modification, in accordance with Section 12-7B-7 (Exterior Alterations or Modifications), Vail Town Code, to allow for an addition located at .Units 301 and 303, 225 Wall Street /Lot B, Block 5C, Vail Village First Filing. Applicant: Eugene Fahey Planner: Allison Ochs MOTION: Chas Bernhardt SECOND: Brian Doyon VOTE: 7-0 TABLED UNTIL FEBRUARY 11, 2002 4. A request for a Conditional Use Permit to allow for an Early Learning Center and a request for development plan review to construct Employee Housing within the Housing Zone District grid setting forth details in regards thereto, located at the site known as "Mountain Bell"/an unplatted piece of property, located at 160 N. Frontage Rd./to be platted as Lot 1, Middle Creek Subdivision. Applicant: Vail Local Housing Authority, represented by Odell Architects Planner: Allison Ochs MOTION: Chas Bernhardt SECOND: Brian Doyon VOTE: 7-0 TABLED UNTIL FEBRUARY 11, 2002 5. A request for a variance from Section 12-6D-6, Vail Town Code, to allow for a proposed new residence to encroach into the east side setback, located at 1794 S. Frontage Road/Lot. 2, Vail Village West Filing No. 2. Applicant: Philip & Jocelyn Hagerman Planner: George Ruther WITHDRAWN 6. Sign Code Presentation -Discussion of Signs and Community Character Planner: George Ruther 7. Approval of January 14, 2002 minutes 8. Information Update -Reappointments The applications and information about the proposals are available for public inspection during regular office hours in the project planner's office located at the Town of Vail Community Development Department, 75 South Frontage Road. Please call 479-2138 for information. Sign language interpretation available upon request with 24 hour notification. Please call 479- 2356, Telephone for the Hearing Impaired, for information. Community Development Department 2 .„ DESIGN REVIEW BOARD AGENDA Wednesday, January 16, 2002 3:00 P.M. PUBLIC MEETING RESULTS PUBLIC WELCOME PROJECT ORIENTATION /LUNCH -Community Development Department MEMBERS PRESENT Clark Brittain Hans Woldrich Andy Blumetti Charles Acevedo SITE VISITS 1. Riva Ridge North - 133 Willow Place 2. Vail Trails Chalet Condos - 413 E. Gore Creek Drive 3. Fermanis residence - 1109 Sandstone Drive 4. Cardinal Gallery - 164 Gore Creek Drive 5. The Bridge - 228 Bridge Street Driver: Bill 12:00 pm 2:00 pm PUBLIC HEARING -TOWN COUNCIL CHAMBERS Vail Trails Chalet Condos DRB01- 0417. Bill Final review of a new re-roof. 413 E. Gore Creek Drive/Lots 1-15, Block 4, Vail Village 1St Filing Applicant: Vail Trails Chalet Condo. Assoc., represented by Master Sealers, Inc. MOTION: Andy Blumetti .SECOND: Hans. Woldrich. VOTE: 3-0-1 (Acevedo abstained) APPROVED WITH 1 CONDITION: That the color be Owens Corning MiraVista New Slate Grey 2. Fermanis residence DRB01-0394. Final review of proposed new single-family residence. 1109 Sandstone Drive/Lot A-2(4), Block A, Lionsridge 1St Filing Applicant: John Fermanis, represented by Steve Riden MOTION: Charles Acevedo SECOND: Andy Blumetti VOTE: 4-0 TABLED UNTIL FEBRUARY 20, 2002 Bill 3:00 pm ;;~ TOWN OF VAIL '~ MEMBERS ABSENT Bill Pierce 1 w ~ 3. Cardinal Gallery DRB01-0412. Allison Final review of proposed sign. 164 Gore Creek Drive/Lodge at Vail Applicant: Vail Sign Corp MOTION: Clark Brittain SECOND: Andy Blumetti VOTE: 4-0 DENIED 4. Riva Ridge North Condominiums DRB01-0413. Allison Conceptual review of exterior remodel. 133 Willow Place, Riva Ridge North/Lot 6, Block 6, Vail Village 1St Filing. Applicant: Riva Ridge North Condominium Association CONCEPTUAL - NO VOTE 5. The Bridge DRB01-0408. Bill Final review of proposed new front entry. 228 Bridge Street, #300/Lot A, Block 5, Vail Village 1St Filing. Applicant: Vail Nightclubs, Inc. MOTION: Charles Acevedo SECOND: Andy Blumetti VOTE: 4-0 TABLED UNTIL FEBRUARY 20, 2002 6. Sarratt residence DR602-0015 Bill Proposed revisions to approved plans. 1328 Vail Valley Drive/Lot 22, Block 3, Vail Valley 1St Filing Applicant: Alex and Flora Sarratt MOTION: Charles Acevedo SECOND: Andy Blumetti VOTE: 4-0 APPROVED - "Changes to Approved Plans" to eliminate the proposed driveway extension and proposed driveway snowmelt heating. MOTION: Andy Blumetti SECOND: Charlie Acevedo VOTE: 4-0 DENIED - "Changes to Approved Plans" for the illegally applied paint scheme as presented. MOTION: Andy Blumetti SECOND: Charlie Acevedo VOTE: 4-0 APPROVED WITH 3 CONDITIONS -Paint Scheme 1. That the wood siding on the duplex be painted to match the newly painted AC17 Sea Pine color. 2. That the stucco on the duplex be painted the previous white stucco color. 3. That the spindles and railing of the west upper deck of the duplex be stained a natural wood color. 7. Information Update: Staff Approvals Moran residence DRB01-0410. Bill Addition. 3797 Lupine Drive/Lot 1, Bighorn Subdivision 2~d Addition. Applicant: Chloe Moran 2 East Meadow Drive Lamp Post DRB02-0003. Replace destroyed lamp post. 68 E. Meadow DrivelBlock 5D Village Inn Plaza. Applicant: Slifer Management Company Bill Vail Sports DRB01-0398. Allison New awning. 521 E. Lionshead Circle, Vail 21 Condominium/Lot3, Block 1, Vail Lionshead Filing 1. Applicant: Annie Egan Deason residence DRB02-0012. Allison Remove chimney stack and replace with corner gas fireplace. 1090 Vail View Drive, #18/Lot B-1, Telemark Townhouses. Applicant: Whitney Deason The applications and information about the proposals are available for public inspection during regular office hours in the project planner's office, located at the Town of Vail Community Development Department, 75 South Frontage Road. Please call 479-2138 for information. Sign language interpretation available upon request with 24 hour notification. Please call 479- 2356,Telephone for the Hearing Impaired, for information. 3